3.0
The Tangled Skein
by Emma Orczy
In The Tangled Skein, Baroness Orczy does not paint Queen Mary nearly so black as she is usually portrayed. Indeed Mary is depicted as so passionately loving as to be almost lovable, a woman of strong emotions, invariably swayed by justice. The tangling of the skein is due to Mary's supposititious love for Robert d'Esclade, fifth Duke of Wessex, whom the people of England desire to become King Consort. He is the embodiment of all chivalry, and every virtue dear to the heart of an Englishman. He is, so far, fancy free, but beyond deep respect for, and loyalty to, his Queen, he has no other feeling, and the idea of marriage with her merely for political reasons is repulsive to him. He is at the same time half betrothed, but not bindingly, to Lady Ursula Glynde, whom he has not seen since her babyhood. Wessex is repelled by the idea of having his wife thrust upon him in any way, and purposely avoids the girl, in which he is, unknown to himself, aided and abetted by the Queen, who tries jealously to guard him against falling a victim to Ursula's undoubted fascinations. Add to this trio, the powerful Cardinal Moreno and Phillip II of Spain and the skein only becomes more tangled. (source: Wikipedia)
Fiction
RELEASED2021
PUBLISHERIndependently Published
LENGTH302
LANGUAGEEN
Baroness Emma Magdolna Rozália Mária Jozefa Borbála "Emmuska" Orczy de Orczi was born in Tarnaörs, Heves County, Hungary, the daughter of composer Baron Felix Orczy and Countess Emma Wass. In 1868, fearing a potential peasant revolution, her parents left Hungary. They lived in Budapest, Brussels, and Paris before settling in London in 1880. Orczy attended West London School of Art and then Heatherley's School of Fine Art. In 1894, she married illustrator Montague MacLean Barstow, whom she had met at art school. The couple had very little money, and Orczy started to work with her husband as a translator and an illustrator. In 1899, she had a child, and published her first novel, The Emperor's Candlesticks. In 1903, she and her husband coauthored her most famous work, The Scarlet Pimpernel. She went on to write over a dozen sequels to the novel. She also created a number of memorable detectives: Lady Molly Robertson-Kirk of Scotland Yard, who heads the "Female Department" (her cases are collected in *Lady Molly of Scotland Yard*, 1910); Monsieur Fernand, a Napoleonic-era secret agent (*The Man in Grey*, 1918); and Patrick Mulligan, a shady attorney (*Skin o' My Tooth*, 1928). Her greatest detective was the Old Man in the Corner, probably the first of the "armchair" detectives. He sits in a chair in a London tea shop, unraveling knots and intricate cases brought to him by Polly Burton, a young reporter. Many of these were later collected in *The Old Man in the Corner* (1909). [Leslie S. Klinger, *In the Shadow of Sherlock Holmes* (2011)]
3.0
The Tangled Skein
by Emma Orczy
In The Tangled Skein, Baroness Orczy does not paint Queen Mary nearly so black as she is usually portrayed. Indeed Mary is depicted as so passionately loving as to be almost lovable, a woman of strong emotions, invariably swayed by justice. The tangling of the skein is due to Mary's supposititious love for Robert d'Esclade, fifth Duke of Wessex, whom the people of England desire to become King Consort. He is the embodiment of all chivalry, and every virtue dear to the heart of an Englishman. He is, so far, fancy free, but beyond deep respect for, and loyalty to, his Queen, he has no other feeling, and the idea of marriage with her merely for political reasons is repulsive to him. He is at the same time half betrothed, but not bindingly, to Lady Ursula Glynde, whom he has not seen since her babyhood. Wessex is repelled by the idea of having his wife thrust upon him in any way, and purposely avoids the girl, in which he is, unknown to himself, aided and abetted by the Queen, who tries jealously to guard him against falling a victim to Ursula's undoubted fascinations. Add to this trio, the powerful Cardinal Moreno and Phillip II of Spain and the skein only becomes more tangled. (source: Wikipedia)
Fiction
RELEASED2021
PUBLISHERIndependently Published
LENGTH302
LANGUAGEEN
Baroness Emma Magdolna Rozália Mária Jozefa Borbála "Emmuska" Orczy de Orczi was born in Tarnaörs, Heves County, Hungary, the daughter of composer Baron Felix Orczy and Countess Emma Wass. In 1868, fearing a potential peasant revolution, her parents left Hungary. They lived in Budapest, Brussels, and Paris before settling in London in 1880. Orczy attended West London School of Art and then Heatherley's School of Fine Art. In 1894, she married illustrator Montague MacLean Barstow, whom she had met at art school. The couple had very little money, and Orczy started to work with her husband as a translator and an illustrator. In 1899, she had a child, and published her first novel, The Emperor's Candlesticks. In 1903, she and her husband coauthored her most famous work, The Scarlet Pimpernel. She went on to write over a dozen sequels to the novel. She also created a number of memorable detectives: Lady Molly Robertson-Kirk of Scotland Yard, who heads the "Female Department" (her cases are collected in *Lady Molly of Scotland Yard*, 1910); Monsieur Fernand, a Napoleonic-era secret agent (*The Man in Grey*, 1918); and Patrick Mulligan, a shady attorney (*Skin o' My Tooth*, 1928). Her greatest detective was the Old Man in the Corner, probably the first of the "armchair" detectives. He sits in a chair in a London tea shop, unraveling knots and intricate cases brought to him by Polly Burton, a young reporter. Many of these were later collected in *The Old Man in the Corner* (1909). [Leslie S. Klinger, *In the Shadow of Sherlock Holmes* (2011)]
