4.3
The Scarlet Pimpernel
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.
We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
History
RELEASED2018
PUBLISHERCreative Media Partners, LLC
LENGTH342
LANGUAGEEN
Baroness Emma Magdolna Rozália Mária Jozefa Borbála "Emmuska" Orczy de Orczi was born in Tarnaörs, Heves County, Hungary, the daughter of composer Baron Felix Orczy and Countess Emma Wass. In 1868, fearing a potential peasant revolution, her parents left Hungary. They lived in Budapest, Brussels, and Paris before settling in London in 1880. Orczy attended West London School of Art and then Heatherley's School of Fine Art. In 1894, she married illustrator Montague MacLean Barstow, whom she had met at art school. The couple had very little money, and Orczy started to work with her husband as a translator and an illustrator. In 1899, she had a child, and published her first novel, The Emperor's Candlesticks. In 1903, she and her husband coauthored her most famous work, The Scarlet Pimpernel. She went on to write over a dozen sequels to the novel. She also created a number of memorable detectives: Lady Molly Robertson-Kirk of Scotland Yard, who heads the "Female Department" (her cases are collected in *Lady Molly of Scotland Yard*, 1910); Monsieur Fernand, a Napoleonic-era secret agent (*The Man in Grey*, 1918); and Patrick Mulligan, a shady attorney (*Skin o' My Tooth*, 1928). Her greatest detective was the Old Man in the Corner, probably the first of the "armchair" detectives. He sits in a chair in a London tea shop, unraveling knots and intricate cases brought to him by Polly Burton, a young reporter. Many of these were later collected in *The Old Man in the Corner* (1909). [Leslie S. Klinger, *In the Shadow of Sherlock Holmes* (2011)]
4.3
The Scarlet Pimpernel
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.
We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
History
RELEASED2018
PUBLISHERCreative Media Partners, LLC
LENGTH342
LANGUAGEEN
Baroness Emma Magdolna Rozália Mária Jozefa Borbála "Emmuska" Orczy de Orczi was born in Tarnaörs, Heves County, Hungary, the daughter of composer Baron Felix Orczy and Countess Emma Wass. In 1868, fearing a potential peasant revolution, her parents left Hungary. They lived in Budapest, Brussels, and Paris before settling in London in 1880. Orczy attended West London School of Art and then Heatherley's School of Fine Art. In 1894, she married illustrator Montague MacLean Barstow, whom she had met at art school. The couple had very little money, and Orczy started to work with her husband as a translator and an illustrator. In 1899, she had a child, and published her first novel, The Emperor's Candlesticks. In 1903, she and her husband coauthored her most famous work, The Scarlet Pimpernel. She went on to write over a dozen sequels to the novel. She also created a number of memorable detectives: Lady Molly Robertson-Kirk of Scotland Yard, who heads the "Female Department" (her cases are collected in *Lady Molly of Scotland Yard*, 1910); Monsieur Fernand, a Napoleonic-era secret agent (*The Man in Grey*, 1918); and Patrick Mulligan, a shady attorney (*Skin o' My Tooth*, 1928). Her greatest detective was the Old Man in the Corner, probably the first of the "armchair" detectives. He sits in a chair in a London tea shop, unraveling knots and intricate cases brought to him by Polly Burton, a young reporter. Many of these were later collected in *The Old Man in the Corner* (1909). [Leslie S. Klinger, *In the Shadow of Sherlock Holmes* (2011)]
