4.0
El vértigo de las listas
by Umberto Eco
Hay listas que tienen fines prácticos y son finitas, como la lista de todos los libros de una biblioteca; hay otras, en cambio, que pretenden sugerir grandezas innumerables y que nos transmiten el vértigo del infinito. La historia de la literatura de todos los tiempos es infinitamente rica en listas, que a menudo son simples elencos escritos por el mero placer de la enumeración, la eufonía del catálogo o por el afán de reunir elementos entre los que no existe ninguna relación específica, como en las llamadas enumeraciones caóticas. Eco estudia esta forma literaria escasamente analizaday demuestra cómo las artes figurativas son capaces de sugerir elencos, incluso cuando la representación pictórica parece estar rigurosamente limitada por el marco.
Literary Collections
RELEASED2009
PUBLISHERRandom House Mondadori, S.A.
LENGTH408
LANGUAGEES
Umberto Eco (5 January 1932 – 19 February 2016) was an Italian novelist, literary critic, philosopher, semiotician, and university professor. He is widely known for his 1980 novel Il nome della rosa (The Name of the Rose), a historical mystery combining semiotics in fiction with biblical analysis, medieval studies, and literary theory. He later wrote other novels, including Il pendolo di Foucault (Foucault's Pendulum) and L'isola del giorno prima (The Island of the Day Before). His novel Il cimitero di Praga (The Prague Cemetery), released in 2010, topped the bestseller charts in Italy. Eco also wrote academic texts, children's books, and essays, and edited and translated into Italian books from French, such as Raymond Queneau’s “Exercises in Style” (1983). He was the founder of the Department of Media Studies at the University of the Republic of San Marino,[3] president of the Graduate School for the Study of the Humanities at the University of Bologna, member of the Accademia dei Lincei, and an honorary fellow of Kellogg College, Oxford.
4.0
El vértigo de las listas
by Umberto Eco
Hay listas que tienen fines prácticos y son finitas, como la lista de todos los libros de una biblioteca; hay otras, en cambio, que pretenden sugerir grandezas innumerables y que nos transmiten el vértigo del infinito. La historia de la literatura de todos los tiempos es infinitamente rica en listas, que a menudo son simples elencos escritos por el mero placer de la enumeración, la eufonía del catálogo o por el afán de reunir elementos entre los que no existe ninguna relación específica, como en las llamadas enumeraciones caóticas. Eco estudia esta forma literaria escasamente analizaday demuestra cómo las artes figurativas son capaces de sugerir elencos, incluso cuando la representación pictórica parece estar rigurosamente limitada por el marco.
Literary Collections
RELEASED2009
PUBLISHERRandom House Mondadori, S.A.
LENGTH408
LANGUAGEES
Umberto Eco (5 January 1932 – 19 February 2016) was an Italian novelist, literary critic, philosopher, semiotician, and university professor. He is widely known for his 1980 novel Il nome della rosa (The Name of the Rose), a historical mystery combining semiotics in fiction with biblical analysis, medieval studies, and literary theory. He later wrote other novels, including Il pendolo di Foucault (Foucault's Pendulum) and L'isola del giorno prima (The Island of the Day Before). His novel Il cimitero di Praga (The Prague Cemetery), released in 2010, topped the bestseller charts in Italy. Eco also wrote academic texts, children's books, and essays, and edited and translated into Italian books from French, such as Raymond Queneau’s “Exercises in Style” (1983). He was the founder of the Department of Media Studies at the University of the Republic of San Marino,[3] president of the Graduate School for the Study of the Humanities at the University of Bologna, member of the Accademia dei Lincei, and an honorary fellow of Kellogg College, Oxford.
