Josef Albers: Minimal Means, Maximum Effect (Libros de Autor)
Surveying works in all media, Josef Albers: Minimum Media, Maximum Effect offers a new comprehensive monograph of Josef Albers (1888-1976) focusing on the artist's abiding concern for clarity and simplicity. As the title suggests, Albers strove to attain the maximum effect with minimal media. This selection of works demonstrates the continuity of Albers' austere and luminous vision, as it permeated his teaching, furniture and design objects, photography, typographical design and his writings, from his early years as a schoolteacher in Germany and the Bauhaus years to the end of his artistic and teaching career at Yale. His prolific artistic output ranged from furniture design and figurative line drawing to engraving and painting, including his renowned Homage to the Square. This substantial, 362-page survey is exhilarating in its scope, encompassing some 170 works, archival documents such as Albers' notes and journals, and dozens of essays and scholarly discourses on art, pedagogy and philosophy. This carefully designed volume illuminates Albers' artistry and teachings and allows the reader to appreciate the incredible technical skill and the clarity of vision behind his apparently simple works.
Modern ArtExhibitions
RELEASED2014
PUBLISHERLa Fábrica/Fundación Juan March
LENGTH384
LANGUAGEEN
German artist and designer; prof. at the Bauhaus. Albers trained as an art teacher at Königliche Kunstgewerbschule in nearby Essen, Germany. In 1919 he went to Munich, Germany, to study at the Königliche Bayerische Akademie der Bildenden Kunst, where he was a pupil of Max Doerner and Frank Stuck. In 1920 he attended the preliminary course (Vorkurs) at the Bauhaus in Weimar, Germany, and was appointed a master in 1923 or 1925. In 1925 Albers moved with the Bauhaus to Dessau, Germany, where he was named master. From 1928 to 1930 he was also in charge of the furniture workshop. In 1932 he moved with the Bauhaus to Berlin. From 1933, after the closure of the Bauhaus in Berlin, until 1949, Albers taught at Black Mountain College in North Carolina. From 1948 to 1950 or from 1950 to 1958, Albers was professor and chairman of the Department of Design at Yale University, New Haven, Connecticut. He remained there as a visiting professor until 1960. After his retirement from Yale University, Albers continued to live in New Haven and to paint, monitor his own exhibitions and publications, write, lecture and work on large commissioned sculptures for architectural settings. *(Source: Union List of Artist Names - Getty Research Institute)*
Josef Albers: Minimal Means, Maximum Effect (Libros de Autor)
by Nicolas Fox Weber, Jeannette Redensek
Surveying works in all media, Josef Albers: Minimum Media, Maximum Effect offers a new comprehensive monograph of Josef Albers (1888-1976) focusing on the artist's abiding concern for clarity and simplicity. As the title suggests, Albers strove to attain the maximum effect with minimal media. This selection of works demonstrates the continuity of Albers' austere and luminous vision, as it permeated his teaching, furniture and design objects, photography, typographical design and his writings, from his early years as a schoolteacher in Germany and the Bauhaus years to the end of his artistic and teaching career at Yale. His prolific artistic output ranged from furniture design and figurative line drawing to engraving and painting, including his renowned Homage to the Square. This substantial, 362-page survey is exhilarating in its scope, encompassing some 170 works, archival documents such as Albers' notes and journals, and dozens of essays and scholarly discourses on art, pedagogy and philosophy. This carefully designed volume illuminates Albers' artistry and teachings and allows the reader to appreciate the incredible technical skill and the clarity of vision behind his apparently simple works.
Modern ArtExhibitions
RELEASED2014
PUBLISHERLa Fábrica/Fundación Juan March
LENGTH384
LANGUAGEEN
German artist and designer; prof. at the Bauhaus. Albers trained as an art teacher at Königliche Kunstgewerbschule in nearby Essen, Germany. In 1919 he went to Munich, Germany, to study at the Königliche Bayerische Akademie der Bildenden Kunst, where he was a pupil of Max Doerner and Frank Stuck. In 1920 he attended the preliminary course (Vorkurs) at the Bauhaus in Weimar, Germany, and was appointed a master in 1923 or 1925. In 1925 Albers moved with the Bauhaus to Dessau, Germany, where he was named master. From 1928 to 1930 he was also in charge of the furniture workshop. In 1932 he moved with the Bauhaus to Berlin. From 1933, after the closure of the Bauhaus in Berlin, until 1949, Albers taught at Black Mountain College in North Carolina. From 1948 to 1950 or from 1950 to 1958, Albers was professor and chairman of the Department of Design at Yale University, New Haven, Connecticut. He remained there as a visiting professor until 1960. After his retirement from Yale University, Albers continued to live in New Haven and to paint, monitor his own exhibitions and publications, write, lecture and work on large commissioned sculptures for architectural settings. *(Source: Union List of Artist Names - Getty Research Institute)*
