
by Lydia Davis
"You read Lydia Davis to watch a writer patiently divide the space between epiphany and actual human beings by first halves, then quarters, then eighths, and then sixteenths, into infinity," says The Village Voice. Indeed, Lydia Davis is mathematician, philosopher, sculptor, jeweler, and scholar of the minute. Few writers map the process of thought as well as she, few perceive with such charged intelligence.
The Cows is a close study of the three much-loved cows that live across the road from her. The piece, written with understated humor and empathy, is a series of detailed observations of the cows on different days and in different positions, moods, and times of the day. It could be compared to some sections of Wallace Stevens' "Thirteen Ways of Looking at a Blackbird" or to Claude Monet's paintings of Rouen Cathedral.
Forms of play: head butting; mounting, either at the back or at the front; trotting away by yourself; trotting together; going off bucking and prancing by yourself; resting your head and chest on the ground until they notice and trot toward you; circling each other; taking the position for head-butting and then not doing it.
She moos toward the wooded hills behind her, and the sound comes back. She moos in a high falsetto before the note descends abruptly, or she moos in a falsetto that does not descend. It is a very small sound to come from such a large, dark animal.
From Wikipedia: Lydia Davis (born 1947) is a contemporary American author and translator of French. She is the daughter of Robert Gorham Davis and Hope Hale Davis. From 1974 to 1978 Davis was married to Paul Auster, with whom she has a son, Daniel Auster. Davis is currently married to painter Alan Cote, with whom she has a son, Theo Cote. She is a professor of creative writing at University at Albany, SUNY. She has published six collections of short stories, including The Thirteenth Woman and Other Stories (1976) and Break It Down (1986). Her most recent collection is Varieties of Disturbance, published by Farrar, Straus and Giroux in 2007. Her stories are acclaimed for their brevity and humour. Many are only one or two sentences. In fact some of her stories are considered poetry or somewhere between philosophy, poetry and short story.

by Lydia Davis
"You read Lydia Davis to watch a writer patiently divide the space between epiphany and actual human beings by first halves, then quarters, then eighths, and then sixteenths, into infinity," says The Village Voice. Indeed, Lydia Davis is mathematician, philosopher, sculptor, jeweler, and scholar of the minute. Few writers map the process of thought as well as she, few perceive with such charged intelligence.
The Cows is a close study of the three much-loved cows that live across the road from her. The piece, written with understated humor and empathy, is a series of detailed observations of the cows on different days and in different positions, moods, and times of the day. It could be compared to some sections of Wallace Stevens' "Thirteen Ways of Looking at a Blackbird" or to Claude Monet's paintings of Rouen Cathedral.
Forms of play: head butting; mounting, either at the back or at the front; trotting away by yourself; trotting together; going off bucking and prancing by yourself; resting your head and chest on the ground until they notice and trot toward you; circling each other; taking the position for head-butting and then not doing it.
She moos toward the wooded hills behind her, and the sound comes back. She moos in a high falsetto before the note descends abruptly, or she moos in a falsetto that does not descend. It is a very small sound to come from such a large, dark animal.
From Wikipedia: Lydia Davis (born 1947) is a contemporary American author and translator of French. She is the daughter of Robert Gorham Davis and Hope Hale Davis. From 1974 to 1978 Davis was married to Paul Auster, with whom she has a son, Daniel Auster. Davis is currently married to painter Alan Cote, with whom she has a son, Theo Cote. She is a professor of creative writing at University at Albany, SUNY. She has published six collections of short stories, including The Thirteenth Woman and Other Stories (1976) and Break It Down (1986). Her most recent collection is Varieties of Disturbance, published by Farrar, Straus and Giroux in 2007. Her stories are acclaimed for their brevity and humour. Many are only one or two sentences. In fact some of her stories are considered poetry or somewhere between philosophy, poetry and short story.