4.0
Memoirs of an Egotist (Hesperus Classics)
by Stendhal
Memoirs of an Egotist, Stendhal’s fragmentary autobiographical work, is alert, wry, and perpetually self-questioning. Through a series of apparently random impressions of the political, social, and artistic movements of the world around him, he imbues a range of human experience, from the mundane to the extraordinary, with the significance it deserves. Containing everything from delightful thumbnail sketches of his friends and colleagues, to lyrical remembrances of gardens and operas and tenderly amused descriptions of tea with London prostitutes, Memoirs of an Egotist is as startling as it is revealing.
CONTINENTAL EUROPEAN FICTION (FICTIONAL WORKS BY ONE AUTHOR)
RELEASED2003
PUBLISHERHesperus Press
LENGTH144
LANGUAGEEN
Stendhal was the pseudonym of the 19th-century French writer Marie-Henri Beyle. Known for his acute analysis of his characters' psychology, he is considered one of the earliest and foremost practitioners of realism in his two novels *Le Rouge et le Noir* (The Red and the Black, 1830) and *La Chartreuse de Parme* (The Charterhouse of Parma, 1839).
4.0
Memoirs of an Egotist (Hesperus Classics)
by Stendhal
Memoirs of an Egotist, Stendhal’s fragmentary autobiographical work, is alert, wry, and perpetually self-questioning. Through a series of apparently random impressions of the political, social, and artistic movements of the world around him, he imbues a range of human experience, from the mundane to the extraordinary, with the significance it deserves. Containing everything from delightful thumbnail sketches of his friends and colleagues, to lyrical remembrances of gardens and operas and tenderly amused descriptions of tea with London prostitutes, Memoirs of an Egotist is as startling as it is revealing.
CONTINENTAL EUROPEAN FICTION (FICTIONAL WORKS BY ONE AUTHOR)
RELEASED2003
PUBLISHERHesperus Press
LENGTH144
LANGUAGEEN
Stendhal was the pseudonym of the 19th-century French writer Marie-Henri Beyle. Known for his acute analysis of his characters' psychology, he is considered one of the earliest and foremost practitioners of realism in his two novels *Le Rouge et le Noir* (The Red and the Black, 1830) and *La Chartreuse de Parme* (The Charterhouse of Parma, 1839).
