
by Umberto Eco
1945, Lake Como. Mussolini and his mistress are captured and shot by local partisans. The precise circumstances of Il Duceâe(tm)s death remain shrouded in confusion and controversy.
1992, Milan. Colonna, a depressed hack writer, is offered a fee he canâe(tm)t refuse to ghost-write a memoir. His subject: a fledgling newspaper financed by a powerful media magnate. As Colonna gets to know the team, he learns the paranoid theories of Braggadocio, who is convinced that Mussoliniâe(tm)s corpse was a body-double and part of a wider Fascist plot. Itâe(tm)s the scoop he desperately needs. The evidence? Heâe(tm)s working on it.
Colonna is sceptical. But when a body is found, stabbed to death in a back alley, and the paper is shut down, even he is jolted out of his complacency.
Fuelled by conspiracy theories, Mafiosi, love, corruption and murder, Numero Zero reverberates with the clash of forces that have shaped Italy since the Second World War. This gripping novel from the author of The Name of the Rose is told with all the power of a master storyteller.
Umberto Eco (5 January 1932 – 19 February 2016) was an Italian novelist, literary critic, philosopher, semiotician, and university professor. He is widely known for his 1980 novel Il nome della rosa (The Name of the Rose), a historical mystery combining semiotics in fiction with biblical analysis, medieval studies, and literary theory. He later wrote other novels, including Il pendolo di Foucault (Foucault's Pendulum) and L'isola del giorno prima (The Island of the Day Before). His novel Il cimitero di Praga (The Prague Cemetery), released in 2010, topped the bestseller charts in Italy. Eco also wrote academic texts, children's books, and essays, and edited and translated into Italian books from French, such as Raymond Queneau’s “Exercises in Style” (1983). He was the founder of the Department of Media Studies at the University of the Republic of San Marino,[3] president of the Graduate School for the Study of the Humanities at the University of Bologna, member of the Accademia dei Lincei, and an honorary fellow of Kellogg College, Oxford.

by Umberto Eco
1945, Lake Como. Mussolini and his mistress are captured and shot by local partisans. The precise circumstances of Il Duceâe(tm)s death remain shrouded in confusion and controversy.
1992, Milan. Colonna, a depressed hack writer, is offered a fee he canâe(tm)t refuse to ghost-write a memoir. His subject: a fledgling newspaper financed by a powerful media magnate. As Colonna gets to know the team, he learns the paranoid theories of Braggadocio, who is convinced that Mussoliniâe(tm)s corpse was a body-double and part of a wider Fascist plot. Itâe(tm)s the scoop he desperately needs. The evidence? Heâe(tm)s working on it.
Colonna is sceptical. But when a body is found, stabbed to death in a back alley, and the paper is shut down, even he is jolted out of his complacency.
Fuelled by conspiracy theories, Mafiosi, love, corruption and murder, Numero Zero reverberates with the clash of forces that have shaped Italy since the Second World War. This gripping novel from the author of The Name of the Rose is told with all the power of a master storyteller.
Umberto Eco (5 January 1932 – 19 February 2016) was an Italian novelist, literary critic, philosopher, semiotician, and university professor. He is widely known for his 1980 novel Il nome della rosa (The Name of the Rose), a historical mystery combining semiotics in fiction with biblical analysis, medieval studies, and literary theory. He later wrote other novels, including Il pendolo di Foucault (Foucault's Pendulum) and L'isola del giorno prima (The Island of the Day Before). His novel Il cimitero di Praga (The Prague Cemetery), released in 2010, topped the bestseller charts in Italy. Eco also wrote academic texts, children's books, and essays, and edited and translated into Italian books from French, such as Raymond Queneau’s “Exercises in Style” (1983). He was the founder of the Department of Media Studies at the University of the Republic of San Marino,[3] president of the Graduate School for the Study of the Humanities at the University of Bologna, member of the Accademia dei Lincei, and an honorary fellow of Kellogg College, Oxford.