Amelia
". . . More delicately faithful and true are Colonel James and his wife. They are both very good sort of people in a way, who live in a lax and frivolous age, who have plenty of money, no particular principle, no strong affection for each other, and little individual character. They might have been -- Mrs. James to some extent is -- quite estimable and harmless; but even as it is, they are not to be wholly ill spoken of. Being what they are, Fielding has taken them, and, with a relentlessness which Swift could hardly have exceeded, and a good nature which Swift rarely or never attained, has held them up to us as dissected preparations of half-innocent meanness, scoundrelism, and vanity, such as are hardly anywhere else to be found. I have used the word 'preparations, ' and it in part indicates Fielding's virtue, a virtue shown, I think, in this book as much as anywhere. But it does not fully indicate it; for the preparation, wet or dry, is a dead thing, and a museum is but a mortuary. Fielding's men and women, once more let it be said, are all alive. The palace of his work is the hall, not of Eblis, but of a quite beneficent enchanter, who puts burning hearts into his subjects, not to torture them, but only that they may light up for us their whole organization and being. They are not in the least the worse for it, and we are infinitely the better." -- From editor George Saintsbury's Introduction
FictionLiteraryFamily LifeMarriage & Divorce
RELEASED2003
PUBLISHERWildside Press, LLC
LENGTH552
LANGUAGEEN
An English novelist and dramatist known for his rich earthy humour and satirical prowess, and as the author of the novel *Tom Jones*. Portraits suggest a rather large proboscis.
Amelia
". . . More delicately faithful and true are Colonel James and his wife. They are both very good sort of people in a way, who live in a lax and frivolous age, who have plenty of money, no particular principle, no strong affection for each other, and little individual character. They might have been -- Mrs. James to some extent is -- quite estimable and harmless; but even as it is, they are not to be wholly ill spoken of. Being what they are, Fielding has taken them, and, with a relentlessness which Swift could hardly have exceeded, and a good nature which Swift rarely or never attained, has held them up to us as dissected preparations of half-innocent meanness, scoundrelism, and vanity, such as are hardly anywhere else to be found. I have used the word 'preparations, ' and it in part indicates Fielding's virtue, a virtue shown, I think, in this book as much as anywhere. But it does not fully indicate it; for the preparation, wet or dry, is a dead thing, and a museum is but a mortuary. Fielding's men and women, once more let it be said, are all alive. The palace of his work is the hall, not of Eblis, but of a quite beneficent enchanter, who puts burning hearts into his subjects, not to torture them, but only that they may light up for us their whole organization and being. They are not in the least the worse for it, and we are infinitely the better." -- From editor George Saintsbury's Introduction
FictionLiteraryFamily LifeMarriage & Divorce
RELEASED2003
PUBLISHERWildside Press, LLC
LENGTH552
LANGUAGEEN
An English novelist and dramatist known for his rich earthy humour and satirical prowess, and as the author of the novel *Tom Jones*. Portraits suggest a rather large proboscis.
