Young Bob: John Cohen's Early Photographs of Bob Dylan
by John Cohen
In 1962, a young John Cohen and the young songwriter Bob Dylan went to Cohen's East Village loft and rooftop for a few hours to make some photos in "a moment of invention…without planning, and with the freedom that comes from uncertainty," recalls Cohen. The never-before-published, black-and-white photographs in Young Bob: John Cohen's Early Photographs of Bob Dylan reveal the soon-to-be-legendary musician on the cusp of fame, just before the release of his revolutionary self-titled first album. "These are pictures from a more innocent time at the beginning of Bob Dylan's career," Cohen recalled. "his is what he might have looked like when he first arrived in New York…. the making of these photographs was quite naïve. We weren't into creating a persona for Bob. I was more interested in documenting what was before the camera, and what I was seeing wasn't so clear.
The session was just a free-flowing pursuit of picture making and taking poses. We didn't know what he was going to look like." To complement the images, Cohen has painstakingly transcribed and edited forgotten radio interviews that aired between 1961 and 1963. The interviews conjure up voices from the past, where you can hear a youthful Dylan joking and quipping with WBAI's Cynthia Gooding, WNYC's Oscar Brand, and WFMT's Studs Terkel. With a flourish of color, Cohen's recently rediscovered Ektachromes shot in 1970 for the album "Self Portrait" appear at the end of Young Bob.
These finely constructed "self portraits," art directed by Dylan himself, offer a contrast to the uninhibited loft and rooftop photos and serve as a reminder that just a few years later the famed persona of Dylan had truly been formed and that the young Bob we caught a glimpse of on Cohen's rooftop was now and forever gone.
The session was just a free-flowing pursuit of picture making and taking poses. We didn't know what he was going to look like." To complement the images, Cohen has painstakingly transcribed and edited forgotten radio interviews that aired between 1961 and 1963. The interviews conjure up voices from the past, where you can hear a youthful Dylan joking and quipping with WBAI's Cynthia Gooding, WNYC's Oscar Brand, and WFMT's Studs Terkel. With a flourish of color, Cohen's recently rediscovered Ektachromes shot in 1970 for the album "Self Portrait" appear at the end of Young Bob.
These finely constructed "self portraits," art directed by Dylan himself, offer a contrast to the uninhibited loft and rooftop photos and serve as a reminder that just a few years later the famed persona of Dylan had truly been formed and that the young Bob we caught a glimpse of on Cohen's rooftop was now and forever gone.
DYLAN, BOB, 1941-PHOTOGRAPHY, ARTISTIC
RELEASED2003
PUBLISHERpowerHouse Books
LENGTH72
LANGUAGEEN
Studs Terkel was born Louis Terkel in New York on May 16, 1912. The family moved to Chicago in 1922 and opened a rooming house. From 1926 to 1936 they ran another rooming house, the Wells-Grand Hotel at Wells Street and Grand Avenue. Terkel credited his knowledge of the world to the tenants who gathered in the lobby of the hotel and the people who congregated in nearby Bughouse Square a meeting place for workers, labor organizers, dissidents, the unemployed, and religious fanatics of many persuasions. Terkel attended University of Chicago and received a law degree in 1934. After a brief stint with the civil service in Washington D.C., he returned to Chicago and worked with the WPA Writers Project in the radio division. After a year in the Air Force, he returned to writing radio shows and ads. In 1944, he landed his own show on WENR. This was called the Wax Museum show that allowed him to express his own personality and play recordings he liked from folk music, opera, jazz, or blues. A year later he had his own television show called Stud's Place and started asking people the kind of questions that marked his later work as an interviewer. In 1952 Terkel began working for WFMT, first with the "Studs Terkel Almanac" and the "Studs Terkel Show," primarily to play music. The interviewing came along by accident. This later became the award-winning, "The Studs Terkel Program." His first book, Giants of Jazz, was published in 1956. Ten years later his first book of oral history interviews, Division Street: America, came out. It was followed by a succession of oral history books on the 1930s Depression, World War Two, race relations, working, the American dream, and aging. His last oral history book, Will the Circle Be Unbroken: Reflections on Death, Rebirth, and Hunger for a Faith, was published in 2001. Late into his life Terkel continued to interview people, work on his books, and make public appearances. He was the first Distinguished Scholar-in-Residence at the Chicago Historical Society. His last book, P.S.: Further Thoughts from a Lifetime of Listening was released in November 2008. --From Studsterkel.org
Young Bob: John Cohen's Early Photographs of Bob Dylan
by John Cohen
In 1962, a young John Cohen and the young songwriter Bob Dylan went to Cohen's East Village loft and rooftop for a few hours to make some photos in "a moment of invention…without planning, and with the freedom that comes from uncertainty," recalls Cohen. The never-before-published, black-and-white photographs in Young Bob: John Cohen's Early Photographs of Bob Dylan reveal the soon-to-be-legendary musician on the cusp of fame, just before the release of his revolutionary self-titled first album. "These are pictures from a more innocent time at the beginning of Bob Dylan's career," Cohen recalled. "his is what he might have looked like when he first arrived in New York…. the making of these photographs was quite naïve. We weren't into creating a persona for Bob. I was more interested in documenting what was before the camera, and what I was seeing wasn't so clear.
The session was just a free-flowing pursuit of picture making and taking poses. We didn't know what he was going to look like." To complement the images, Cohen has painstakingly transcribed and edited forgotten radio interviews that aired between 1961 and 1963. The interviews conjure up voices from the past, where you can hear a youthful Dylan joking and quipping with WBAI's Cynthia Gooding, WNYC's Oscar Brand, and WFMT's Studs Terkel. With a flourish of color, Cohen's recently rediscovered Ektachromes shot in 1970 for the album "Self Portrait" appear at the end of Young Bob.
These finely constructed "self portraits," art directed by Dylan himself, offer a contrast to the uninhibited loft and rooftop photos and serve as a reminder that just a few years later the famed persona of Dylan had truly been formed and that the young Bob we caught a glimpse of on Cohen's rooftop was now and forever gone.
The session was just a free-flowing pursuit of picture making and taking poses. We didn't know what he was going to look like." To complement the images, Cohen has painstakingly transcribed and edited forgotten radio interviews that aired between 1961 and 1963. The interviews conjure up voices from the past, where you can hear a youthful Dylan joking and quipping with WBAI's Cynthia Gooding, WNYC's Oscar Brand, and WFMT's Studs Terkel. With a flourish of color, Cohen's recently rediscovered Ektachromes shot in 1970 for the album "Self Portrait" appear at the end of Young Bob.
These finely constructed "self portraits," art directed by Dylan himself, offer a contrast to the uninhibited loft and rooftop photos and serve as a reminder that just a few years later the famed persona of Dylan had truly been formed and that the young Bob we caught a glimpse of on Cohen's rooftop was now and forever gone.
DYLAN, BOB, 1941-PHOTOGRAPHY, ARTISTIC
RELEASED2003
PUBLISHERpowerHouse Books
LENGTH72
LANGUAGEEN
Studs Terkel was born Louis Terkel in New York on May 16, 1912. The family moved to Chicago in 1922 and opened a rooming house. From 1926 to 1936 they ran another rooming house, the Wells-Grand Hotel at Wells Street and Grand Avenue. Terkel credited his knowledge of the world to the tenants who gathered in the lobby of the hotel and the people who congregated in nearby Bughouse Square a meeting place for workers, labor organizers, dissidents, the unemployed, and religious fanatics of many persuasions. Terkel attended University of Chicago and received a law degree in 1934. After a brief stint with the civil service in Washington D.C., he returned to Chicago and worked with the WPA Writers Project in the radio division. After a year in the Air Force, he returned to writing radio shows and ads. In 1944, he landed his own show on WENR. This was called the Wax Museum show that allowed him to express his own personality and play recordings he liked from folk music, opera, jazz, or blues. A year later he had his own television show called Stud's Place and started asking people the kind of questions that marked his later work as an interviewer. In 1952 Terkel began working for WFMT, first with the "Studs Terkel Almanac" and the "Studs Terkel Show," primarily to play music. The interviewing came along by accident. This later became the award-winning, "The Studs Terkel Program." His first book, Giants of Jazz, was published in 1956. Ten years later his first book of oral history interviews, Division Street: America, came out. It was followed by a succession of oral history books on the 1930s Depression, World War Two, race relations, working, the American dream, and aging. His last oral history book, Will the Circle Be Unbroken: Reflections on Death, Rebirth, and Hunger for a Faith, was published in 2001. Late into his life Terkel continued to interview people, work on his books, and make public appearances. He was the first Distinguished Scholar-in-Residence at the Chicago Historical Society. His last book, P.S.: Further Thoughts from a Lifetime of Listening was released in November 2008. --From Studsterkel.org
