Paradiso
Paradiso is a first person narration of Dante's travels through Hell, but at a deeper level it represents allegorically the soul's journey towards God. At this deeper level, Dante draws on medieval Christian theology and philosophy. A powerful work of art that has stood the test of time. This is the brilliant Henry Wadsworth Longfellow translation that placed Dante in his proper place in the English speaking world.
HistoryPoetryEpicEuropeanItalianMedieval
RELEASED2018
PUBLISHERWilder Publications
LENGTH170
LANGUAGEEN
Dante was an Italian poet of the Middle Ages. The name Dante is, according to the words of Jacopo Alighieri, a hypocorism for Durante. In contemporary documents it is followed by the patronymic Alagherii or de Alagheriis; it was Boccaccio who popularized the form Alighieri. ([Source][1].) [1]:http://en.wikipedia.org/wiki/Dante_Alighieri Painter of this picture of Dante is Sandro Botticelli, See the new edition of the comedy published by Ateliê Editorial of São Paulo, Brazil, trabslation in verso terza rima complete by João Trentino Ziller
Paradiso
Paradiso is a first person narration of Dante's travels through Hell, but at a deeper level it represents allegorically the soul's journey towards God. At this deeper level, Dante draws on medieval Christian theology and philosophy. A powerful work of art that has stood the test of time. This is the brilliant Henry Wadsworth Longfellow translation that placed Dante in his proper place in the English speaking world.
HistoryPoetryEpicEuropeanItalianMedievalReligionChristianity
RELEASED2018
PUBLISHERWilder Publications
LENGTH170
LANGUAGEEN
Dante was an Italian poet of the Middle Ages. The name Dante is, according to the words of Jacopo Alighieri, a hypocorism for Durante. In contemporary documents it is followed by the patronymic Alagherii or de Alagheriis; it was Boccaccio who popularized the form Alighieri. ([Source][1].) [1]:http://en.wikipedia.org/wiki/Dante_Alighieri Painter of this picture of Dante is Sandro Botticelli, See the new edition of the comedy published by Ateliê Editorial of São Paulo, Brazil, trabslation in verso terza rima complete by João Trentino Ziller
