
by Claude McKay
Harlem Shadows (1922) is a poetry collection by Claude McKay. Published at the height of the Harlem Renaissance, Harlem Shadows earned praise from legendary poet and political activist Max Eastman for its depictions of urban life and the technical mastery of its author. As a committed leftist, McKay--who grew up in Jamaica--captures the life of Harlem from a realist's point of view, lamenting the poverty of its African American community while celebrating their resilience and cultural achievement. In "The White City," McKay observes New York, its "poles and spires and towers vapor-kissed" and "fortressed port through which the great ships pass." Filled him with a hatred of the inhuman scene of industry and power, forced to "muse [his] life-long hate," he observes the transformative quality of focused anger: "My being would be a skeleton, a shell, / If this dark Passion that fills my every mood, / And makes my heaven in the white world's hell, / Did not forever feed me vital blood." Rather than fall into despair, he channels his hatred into a revolutionary spirit, allowing him to stand tall within "the mighty city." In "The Tropics in New York," he walks past a window filled with "Bananas ripe and green, and ginger-root, / Cocoa in pods and alligator pears," a feast of fresh tropical fruit that brings him back, however briefly, to his island home of Jamaica. Recording his nostalgic response, McKay captures his personal experience as an immigrant in America: "My eyes grew dim, and I could no more gaze; / A wave of longing through my body swept, / And, hungry for the old, familiar ways, / I turned aside and bowed my head and wept." This edition of Claude McKay's Harlem Shadows is a classic of Jamaican literature reimagined for modern readers.
Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.
With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.
Festus Claudius McKay (September 15, 1890 – May 22, 1948) was a Jamaican-American writer and poet, and a central figure in the Harlem Renaissance. Born in Jamaica, McKay first traveled to the United States to attend college, and encountered W.E.B. Du Bois’s The Souls of Black Folk which stimulated McKay’s interest in political involvement. He moved to New York City in 1914 and in 1919 wrote "If We Must Die", one of his best known works, a widely reprinted sonnet responding to the wave of white-on-black race riots and lynchings following the conclusion of the First World War.

by Claude McKay
Harlem Shadows (1922) is a poetry collection by Claude McKay. Published at the height of the Harlem Renaissance, Harlem Shadows earned praise from legendary poet and political activist Max Eastman for its depictions of urban life and the technical mastery of its author. As a committed leftist, McKay--who grew up in Jamaica--captures the life of Harlem from a realist's point of view, lamenting the poverty of its African American community while celebrating their resilience and cultural achievement. In "The White City," McKay observes New York, its "poles and spires and towers vapor-kissed" and "fortressed port through which the great ships pass." Filled him with a hatred of the inhuman scene of industry and power, forced to "muse [his] life-long hate," he observes the transformative quality of focused anger: "My being would be a skeleton, a shell, / If this dark Passion that fills my every mood, / And makes my heaven in the white world's hell, / Did not forever feed me vital blood." Rather than fall into despair, he channels his hatred into a revolutionary spirit, allowing him to stand tall within "the mighty city." In "The Tropics in New York," he walks past a window filled with "Bananas ripe and green, and ginger-root, / Cocoa in pods and alligator pears," a feast of fresh tropical fruit that brings him back, however briefly, to his island home of Jamaica. Recording his nostalgic response, McKay captures his personal experience as an immigrant in America: "My eyes grew dim, and I could no more gaze; / A wave of longing through my body swept, / And, hungry for the old, familiar ways, / I turned aside and bowed my head and wept." This edition of Claude McKay's Harlem Shadows is a classic of Jamaican literature reimagined for modern readers.
Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.
With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.
Festus Claudius McKay (September 15, 1890 – May 22, 1948) was a Jamaican-American writer and poet, and a central figure in the Harlem Renaissance. Born in Jamaica, McKay first traveled to the United States to attend college, and encountered W.E.B. Du Bois’s The Souls of Black Folk which stimulated McKay’s interest in political involvement. He moved to New York City in 1914 and in 1919 wrote "If We Must Die", one of his best known works, a widely reprinted sonnet responding to the wave of white-on-black race riots and lynchings following the conclusion of the First World War.


![The United States in Literature [with three long stories] -- Seventh Edition](https://images.isbndb.com/covers/19293263482427.jpg)






