4.1
Parable of the Talents
From the celebrated author, the thrilling sequel to Parable of the Sower - an extraordinary novel ahead of its time.
'In the ongoing contest over which dystopian classic is most applicable to our time... for sheer peculiar prescience, Butler's novel may be unmatched' NEW YORKER
'Octavia Butler was playing out our very real possibilities as humans. I think she can help each of us to do the same' GLORIA STEINEM
In order for me to understand who I am, I must begin to understand who she was.
Asha was born into a broken world. There are many things she needs to know: how her country could embrace a violent, far-right President promising to make America great again, why they turned a blind eye to the suffering - and the truth about her mother.
In her journals, Lauren Olamina tells of a great love divided between her young daughter, her community and the revelation that led her to found a new faith that teaches 'God Is Change'. But under a tyrannical religious regime who consider the mere existence of a black female leader a threat, Lauren knows she must soon either sacrifice her daughter and her followers - or forsake the beliefs that could transform human destiny.
PRAISE FOR OCTAVIA E. BUTLER
'Unnervingly prescient and wise' YAA GYASI
'If there is one thing scarier than a dystopian novel about the future, it's one written in the past that has already begun to come true. This is what makes Parable of the Sower even more impressive than it was when first published' GLORIA STEINEM
'Butler's prose, always pared back to the bone, delineates the painful paradoxes of metamorphosis with compelling precision' GUARDIAN
'Octavia Butler was a visionary' VIOLA DAVIS
'One of the most significant literary artists of the twentieth century. One cannot exaggerate the impact she has had' JUNOT DIAZ
'An icon of the Afrofuturism world, envisioning literary realms that placed black characters front and center' VANITY FAIR
'Butler writes with such a familiarity that the alien is welcome and intriguing. She really artfully exposes our human impulse to self-destruct' LUPITA NYONG'O
FictionClassicsLiteraryScience FictionDystopianSocial Science
RELEASED2019
PUBLISHERHeadline
LENGTH400
LANGUAGEEN
An American science fiction writer, one of the best-known among the few African-American women in the field. [Comment by Tricia Sullivan, on The Guardian][1]: Octavia E Butler (1947–2006) > I was teaching in New York when I came across Octavia E Butler's Kindred in a secondary-school catalogue of novels recommended to support diversity. It caught my attention because Butler was described as a science-fiction writer. I thought I was familiar with science fiction, but I'd never heard of her – nor have a great many other readers, I suspect. For many years, Butler was the sole African-American woman novelist in science fiction. Kindred tells the wrenching and unforgettable story of a young black woman who time-travels and saves the life of her slaveholder ancestor, but it is, in Butler's words, "a grim fantasy", not science fiction. > Beginning in the 1970s, Butler wrote three sequences of novels: the Patternist books, the Lilith's Brood series and the Parable novels (incomplete at her tragic death in 2006). Critically respected, she won the Hugo and Nebula awards, received a Clarke nomination, the PEN lifetime achievement award and a MacArthur Foundation "genius" grant. A serious writer working in a field that is seldom taken seriously, Butler addressed biological control, gender, humanity's relationship with aliens, genetics and even the development of a fictional religion. Her narratives leave space for the reader's involvement while exploring the nature of change. They gaze unflinchingly on power dynamics. "Who will rule? Who will lead? Who will define, refine, confine, design? Who will dominate? All struggles are essentially power struggles," Butler stated, "and most are no more intellectual than two rams knocking their heads together." Butler's writing is courageous, stimulating and infused with a rare purity of intention. Crushingly, she died at the height of her powers. [Bloodchild and Other Stories][2] is a good place to begin discovering her work. [1]: http://www.guardian.co.uk/books/2011/may/14/science-fiction-authors-choice [2]: http://openlibrary.org/works/OL35621W/Bloodchild_and_other_stories
4.1
Parable of the Talents
From the celebrated author, the thrilling sequel to Parable of the Sower - an extraordinary novel ahead of its time.
'In the ongoing contest over which dystopian classic is most applicable to our time... for sheer peculiar prescience, Butler's novel may be unmatched' NEW YORKER
'Octavia Butler was playing out our very real possibilities as humans. I think she can help each of us to do the same' GLORIA STEINEM
In order for me to understand who I am, I must begin to understand who she was.
Asha was born into a broken world. There are many things she needs to know: how her country could embrace a violent, far-right President promising to make America great again, why they turned a blind eye to the suffering - and the truth about her mother.
In her journals, Lauren Olamina tells of a great love divided between her young daughter, her community and the revelation that led her to found a new faith that teaches 'God Is Change'. But under a tyrannical religious regime who consider the mere existence of a black female leader a threat, Lauren knows she must soon either sacrifice her daughter and her followers - or forsake the beliefs that could transform human destiny.
PRAISE FOR OCTAVIA E. BUTLER
'Unnervingly prescient and wise' YAA GYASI
'If there is one thing scarier than a dystopian novel about the future, it's one written in the past that has already begun to come true. This is what makes Parable of the Sower even more impressive than it was when first published' GLORIA STEINEM
'Butler's prose, always pared back to the bone, delineates the painful paradoxes of metamorphosis with compelling precision' GUARDIAN
'Octavia Butler was a visionary' VIOLA DAVIS
'One of the most significant literary artists of the twentieth century. One cannot exaggerate the impact she has had' JUNOT DIAZ
'An icon of the Afrofuturism world, envisioning literary realms that placed black characters front and center' VANITY FAIR
'Butler writes with such a familiarity that the alien is welcome and intriguing. She really artfully exposes our human impulse to self-destruct' LUPITA NYONG'O
FictionClassicsLiteraryScience FictionDystopianSocial ScienceSociology
RELEASED2019
PUBLISHERHeadline
LENGTH400
LANGUAGEEN
An American science fiction writer, one of the best-known among the few African-American women in the field. [Comment by Tricia Sullivan, on The Guardian][1]: Octavia E Butler (1947–2006) > I was teaching in New York when I came across Octavia E Butler's Kindred in a secondary-school catalogue of novels recommended to support diversity. It caught my attention because Butler was described as a science-fiction writer. I thought I was familiar with science fiction, but I'd never heard of her – nor have a great many other readers, I suspect. For many years, Butler was the sole African-American woman novelist in science fiction. Kindred tells the wrenching and unforgettable story of a young black woman who time-travels and saves the life of her slaveholder ancestor, but it is, in Butler's words, "a grim fantasy", not science fiction. > Beginning in the 1970s, Butler wrote three sequences of novels: the Patternist books, the Lilith's Brood series and the Parable novels (incomplete at her tragic death in 2006). Critically respected, she won the Hugo and Nebula awards, received a Clarke nomination, the PEN lifetime achievement award and a MacArthur Foundation "genius" grant. A serious writer working in a field that is seldom taken seriously, Butler addressed biological control, gender, humanity's relationship with aliens, genetics and even the development of a fictional religion. Her narratives leave space for the reader's involvement while exploring the nature of change. They gaze unflinchingly on power dynamics. "Who will rule? Who will lead? Who will define, refine, confine, design? Who will dominate? All struggles are essentially power struggles," Butler stated, "and most are no more intellectual than two rams knocking their heads together." Butler's writing is courageous, stimulating and infused with a rare purity of intention. Crushingly, she died at the height of her powers. [Bloodchild and Other Stories][2] is a good place to begin discovering her work. [1]: http://www.guardian.co.uk/books/2011/may/14/science-fiction-authors-choice [2]: http://openlibrary.org/works/OL35621W/Bloodchild_and_other_stories
