
by James Ellroy
The first installment of the Lloyd Hopkins Trilogy. Somewhere out there is a murderer with over twenty killings to his name - each an apparently random slaying of a woman, over a twenty-year period and all unconnnected on the police files.
But Detective Sergeant Lloyd Hopkins begins to see a pattern: he senses connections between this string of seemingly motiveless, pointless and unsolved killings. Then the murderer emerges not as a random killer, but a cool, efficient despatcher - in his own eyes a saver of souls and protector of the innocent.
As they are drawn inexorably together, Hopkins and the murderer challenge each other in a confrontation which pits icy intelligence against white-heated madness...
Lee Earle "James" Ellroy is an American crime fiction writer and essayist. Ellroy has become known for a telegrammatic prose style in his most recent work, wherein he frequently omits connecting words and uses only short, staccato sentences, and in particular for the novels *The Black Dahlia* (1987), *The Big Nowhere* (1988), *L.A. Confidential* (1990), *White Jazz* (1992), *American Tabloid* (1995), *The Cold Six Thousand* (2001), and *Blood's a Rover* (2009). *-- Wikipedia*

by James Ellroy
The first installment of the Lloyd Hopkins Trilogy. Somewhere out there is a murderer with over twenty killings to his name - each an apparently random slaying of a woman, over a twenty-year period and all unconnnected on the police files.
But Detective Sergeant Lloyd Hopkins begins to see a pattern: he senses connections between this string of seemingly motiveless, pointless and unsolved killings. Then the murderer emerges not as a random killer, but a cool, efficient despatcher - in his own eyes a saver of souls and protector of the innocent.
As they are drawn inexorably together, Hopkins and the murderer challenge each other in a confrontation which pits icy intelligence against white-heated madness...
Lee Earle "James" Ellroy is an American crime fiction writer and essayist. Ellroy has become known for a telegrammatic prose style in his most recent work, wherein he frequently omits connecting words and uses only short, staccato sentences, and in particular for the novels *The Black Dahlia* (1987), *The Big Nowhere* (1988), *L.A. Confidential* (1990), *White Jazz* (1992), *American Tabloid* (1995), *The Cold Six Thousand* (2001), and *Blood's a Rover* (2009). *-- Wikipedia*