4.3
LAT.Fuller: William Blake_p
by David Fuller
This comprehensive selection includes complete texts of all Blake's best known work: The Songs of Innocence and of Experience, The Marriage of Heaven and Hell, The Book of Thel, Visions of the Daughters of Albion, America, The Book of Urizen, and Laocoon.
All Blake's significant lyric poems are included, and there are generous selections from The Four Zoas, Milton, Jerusalem and The Everlasting Gospel. Each work (including the individual Songs) has an introduction describing a range of critical opinion. The annotation - the most detailed of any single-volume Blake - glosses difficult terms, provides information on Blake's intellectual and poetic sources and his historical contexts, describes significant differences between the unique individual copies of each illuminated book, and discusses all aspects of contemporary Blake scholarship. Modernization addresses the difficulties of Blake's text for first-time readers.
The visual aspects of Blake's composite verbal-visual art is fully acknowledged: every design from the illuminated books selected is described in detail. The book also contains overall introductions to discuss critical approaches to Blake's poetry, interpreting his designs, and the issue of modernizing his text.
All Blake's significant lyric poems are included, and there are generous selections from The Four Zoas, Milton, Jerusalem and The Everlasting Gospel. Each work (including the individual Songs) has an introduction describing a range of critical opinion. The annotation - the most detailed of any single-volume Blake - glosses difficult terms, provides information on Blake's intellectual and poetic sources and his historical contexts, describes significant differences between the unique individual copies of each illuminated book, and discusses all aspects of contemporary Blake scholarship. Modernization addresses the difficulties of Blake's text for first-time readers.
The visual aspects of Blake's composite verbal-visual art is fully acknowledged: every design from the illuminated books selected is described in detail. The book also contains overall introductions to discuss critical approaches to Blake's poetry, interpreting his designs, and the issue of modernizing his text.
POETRY (POETIC WORKS BY ONE AUTHOR)
RELEASED2008
PUBLISHERPearson
LENGTH376
LANGUAGEEN
William Blake was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the English language".[1] His visual artistry has led one British art journalist to proclaim him "far and away the greatest artist Britain has ever produced".[2] Although he only once journeyed farther than a day's walk outside London during his lifetime,[3] he produced a diverse and symbolically rich corpus, which embraced the imagination as "the body of God",[4] or "Human existence itself".[5] ([Source][1].) [1]:http://en.wikipedia.org/wiki/William_Blake
4.3
LAT.Fuller: William Blake_p
by David Fuller
This comprehensive selection includes complete texts of all Blake's best known work: The Songs of Innocence and of Experience, The Marriage of Heaven and Hell, The Book of Thel, Visions of the Daughters of Albion, America, The Book of Urizen, and Laocoon.
All Blake's significant lyric poems are included, and there are generous selections from The Four Zoas, Milton, Jerusalem and The Everlasting Gospel. Each work (including the individual Songs) has an introduction describing a range of critical opinion. The annotation - the most detailed of any single-volume Blake - glosses difficult terms, provides information on Blake's intellectual and poetic sources and his historical contexts, describes significant differences between the unique individual copies of each illuminated book, and discusses all aspects of contemporary Blake scholarship. Modernization addresses the difficulties of Blake's text for first-time readers.
The visual aspects of Blake's composite verbal-visual art is fully acknowledged: every design from the illuminated books selected is described in detail. The book also contains overall introductions to discuss critical approaches to Blake's poetry, interpreting his designs, and the issue of modernizing his text.
All Blake's significant lyric poems are included, and there are generous selections from The Four Zoas, Milton, Jerusalem and The Everlasting Gospel. Each work (including the individual Songs) has an introduction describing a range of critical opinion. The annotation - the most detailed of any single-volume Blake - glosses difficult terms, provides information on Blake's intellectual and poetic sources and his historical contexts, describes significant differences between the unique individual copies of each illuminated book, and discusses all aspects of contemporary Blake scholarship. Modernization addresses the difficulties of Blake's text for first-time readers.
The visual aspects of Blake's composite verbal-visual art is fully acknowledged: every design from the illuminated books selected is described in detail. The book also contains overall introductions to discuss critical approaches to Blake's poetry, interpreting his designs, and the issue of modernizing his text.
POETRY (POETIC WORKS BY ONE AUTHOR)
RELEASED2008
PUBLISHERPearson
LENGTH376
LANGUAGEEN
William Blake was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the English language".[1] His visual artistry has led one British art journalist to proclaim him "far and away the greatest artist Britain has ever produced".[2] Although he only once journeyed farther than a day's walk outside London during his lifetime,[3] he produced a diverse and symbolically rich corpus, which embraced the imagination as "the body of God",[4] or "Human existence itself".[5] ([Source][1].) [1]:http://en.wikipedia.org/wiki/William_Blake
