
by David Mamet
From the Academy Award-nominated screenwriter and playwright: an exhilaratingly subversive inside look at Hollywood from a filmmaker who’s always played by his own rules.
Who really reads the scripts at the film studios? How is a screenplay like a personals ad? Why are there so many producers listed in movie credits? And what on earth do those producers do anyway? Refreshingly unafraid to offend, Mamet provides hilarious, surprising, and refreshingly forthright answers to these and other questions about every aspect of filmmaking from concept to script to screen. A bracing, no-holds-barred examination of the strange contradictions of Tinseltown, Bambi vs. Godzilla dissects the movies with Mamet’s signature style and wit.
David Alan Mamet is an American author, essayist, playwright, screenwriter, and film director. His works are known for their clever, terse, sometimes vulgar dialogue and arcane stylized phrasing, as well as for their exploration of masculinity. Mamet received Tony Award nominations for Glengarry Glen Ros (1984) and Speed-the-Plow (1988), as well as the Pulitzer Prize for Glengarry Glen Ross. As a screenwriter, he received Oscar nominations for The Verdict (1982) and Wag the Dog (1997). ([Source][1].) [1]:http://en.wikipedia.org/wiki/David_Mamet

by David Mamet
From the Academy Award-nominated screenwriter and playwright: an exhilaratingly subversive inside look at Hollywood from a filmmaker who’s always played by his own rules.
Who really reads the scripts at the film studios? How is a screenplay like a personals ad? Why are there so many producers listed in movie credits? And what on earth do those producers do anyway? Refreshingly unafraid to offend, Mamet provides hilarious, surprising, and refreshingly forthright answers to these and other questions about every aspect of filmmaking from concept to script to screen. A bracing, no-holds-barred examination of the strange contradictions of Tinseltown, Bambi vs. Godzilla dissects the movies with Mamet’s signature style and wit.
David Alan Mamet is an American author, essayist, playwright, screenwriter, and film director. His works are known for their clever, terse, sometimes vulgar dialogue and arcane stylized phrasing, as well as for their exploration of masculinity. Mamet received Tony Award nominations for Glengarry Glen Ros (1984) and Speed-the-Plow (1988), as well as the Pulitzer Prize for Glengarry Glen Ross. As a screenwriter, he received Oscar nominations for The Verdict (1982) and Wag the Dog (1997). ([Source][1].) [1]:http://en.wikipedia.org/wiki/David_Mamet