3.3
The Taming of the Shrew
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This is the third New Cambridge edition of The Taming of the Shrew, one of Shakespeare's most popular yet controversial plays. Ann Thompson considers its reception in the light of the hostility and embarrassment that the play often arouses, taking account of both scholarly defences and modern feminist criticism. For this version the editor pays lively attention to the problematic nature of debates about the play and its reception in the twenty-first century. She discusses recent editions and textual, performance and critical studies.
Literary CollectionsDramaShakespeareLiterary Criticism
RELEASED2017
PUBLISHERCambridge University Press
LENGTH224
LANGUAGEEN
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of 38 plays,[c] 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright. He has invented over 1700 words and some of them are common, some of them are not. ([Source][1].) [1]:https://en.wikipedia.org/wiki/William_Shakespeare Looking for the '[First Folio](https://openlibrary.org/works/OL362289W/Plays)'?
3.3
The Taming of the Shrew
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This is the third New Cambridge edition of The Taming of the Shrew, one of Shakespeare's most popular yet controversial plays. Ann Thompson considers its reception in the light of the hostility and embarrassment that the play often arouses, taking account of both scholarly defences and modern feminist criticism. For this version the editor pays lively attention to the problematic nature of debates about the play and its reception in the twenty-first century. She discusses recent editions and textual, performance and critical studies.
Literary CollectionsDramaShakespeareLiterary Criticism
RELEASED2017
PUBLISHERCambridge University Press
LENGTH224
LANGUAGEEN
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of 38 plays,[c] 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright. He has invented over 1700 words and some of them are common, some of them are not. ([Source][1].) [1]:https://en.wikipedia.org/wiki/William_Shakespeare Looking for the '[First Folio](https://openlibrary.org/works/OL362289W/Plays)'?
![Works [37 plays, 6 poems, sonnets]](https://images.isbndb.com/covers/2936353482372.jpg)
![Works [37 plays, 5 poems, sonnets]](https://images.isbndb.com/covers/4807873482238.jpg)