Hippolytus
by Euripides
Euripides works with a common story pattern – a young man (Hippolytus) becomes the object of a married woman’s (Phaedra’s) desire, rebuffs her sexual overtures, and is then falsely accused to the woman’s husband (Theseus, Hippolytus’ father) of rape. To this familiar tale Euripides adds the story of divine vengeance – Aphrodite has brought about this passion in Phaedra in order to punish Hippolytus for condemning her and neglecting her realm of sex and marriage. The play explores the themes of passion and moderation, speech and silence, honour and shame, and the relationship between gods and mortals. This play holds a particular place in Euripidean studies, not only because of its acknowledged excellence and influence, but also because it allows the unique opportunity to observe the playwright’s ‘rewriting’ of his earlier play on the same mythological topic, remarkably replacing the brazen Phaedra of earlier legend and previous treatments with a virtuous woman. Greek text with facing-page English translation, introduction and commentary.
HistoryAncientGreece
RELEASED1995
PUBLISHERAris & Phillips
LENGTH275
LANGUAGEEN
Euripides was the last of the three great tragedians of classical Athens (the other two being Aeschylus and Sophocles). Ancient scholars thought that Euripides had written ninety-five plays, although four of those were probably written by Critias. Eighteen or nineteen of Euripides' plays have survived complete. There has been debate about his authorship of Rhesus, largely on stylistic grounds and ignoring classical evidence that the play was his.[1] Fragments, some substantial, of most of the other plays also survive. More of his plays have survived than those of Aeschylus and Sophocles together, because of the unique nature of the Euripidean manuscript tradition. ([Source][1].) [1]:http://en.wikipedia.org/wiki/Euripides
Hippolytus
by Euripides
Euripides works with a common story pattern – a young man (Hippolytus) becomes the object of a married woman’s (Phaedra’s) desire, rebuffs her sexual overtures, and is then falsely accused to the woman’s husband (Theseus, Hippolytus’ father) of rape. To this familiar tale Euripides adds the story of divine vengeance – Aphrodite has brought about this passion in Phaedra in order to punish Hippolytus for condemning her and neglecting her realm of sex and marriage. The play explores the themes of passion and moderation, speech and silence, honour and shame, and the relationship between gods and mortals. This play holds a particular place in Euripidean studies, not only because of its acknowledged excellence and influence, but also because it allows the unique opportunity to observe the playwright’s ‘rewriting’ of his earlier play on the same mythological topic, remarkably replacing the brazen Phaedra of earlier legend and previous treatments with a virtuous woman. Greek text with facing-page English translation, introduction and commentary.
HistoryAncientGreece
RELEASED1995
PUBLISHERAris & Phillips
LENGTH275
LANGUAGEEN
Euripides was the last of the three great tragedians of classical Athens (the other two being Aeschylus and Sophocles). Ancient scholars thought that Euripides had written ninety-five plays, although four of those were probably written by Critias. Eighteen or nineteen of Euripides' plays have survived complete. There has been debate about his authorship of Rhesus, largely on stylistic grounds and ignoring classical evidence that the play was his.[1] Fragments, some substantial, of most of the other plays also survive. More of his plays have survived than those of Aeschylus and Sophocles together, because of the unique nature of the Euripidean manuscript tradition. ([Source][1].) [1]:http://en.wikipedia.org/wiki/Euripides
