3.0
On Ugliness
In the mold of his acclaimed History of Beauty, renowned cultural critic Umberto Eco’s On Ugliness is an exploration of the monstrous and the repellant in visual culture and the arts. What is the voyeuristic impulse behind our attraction to the gruesome and the horrible? Where does the magnetic appeal of the sordid and the scandalous come from? Is ugliness also in the eye of the beholder? Eco’s encyclopedic knowledge and captivating storytelling skills combine in this ingenious study of the Ugly, revealing that what we often shield ourselves from and shun in everyday life is what we’re most attracted to subliminally. Topics range from Milton’s Satan to Goethe’s Mephistopheles; from witchcraft and medieval torture tactics to martyrs, hermits, and penitents; from lunar births and disemboweled corpses to mythic monsters and sideshow freaks; and from Decadentism and picturesque ugliness to the tacky, kitsch, and camp, and the aesthetics of excess and vice. With abundant examples of painting and sculpture ranging from ancient Greek amphorae to Bosch, Brueghel, and Goya among others, and with quotations from the most celebrated writers and philosophers of each age, this provocative discussion explores in-depth the concepts of evil, depravity, and darkness in art and literature.
ART_PHILOSOPHYAESTHETICS_HISTORY
RELEASED2007
PUBLISHERRizzoli
LENGTH456
LANGUAGEEN
Umberto Eco (5 January 1932 – 19 February 2016) was an Italian novelist, literary critic, philosopher, semiotician, and university professor. He is widely known for his 1980 novel Il nome della rosa (The Name of the Rose), a historical mystery combining semiotics in fiction with biblical analysis, medieval studies, and literary theory. He later wrote other novels, including Il pendolo di Foucault (Foucault's Pendulum) and L'isola del giorno prima (The Island of the Day Before). His novel Il cimitero di Praga (The Prague Cemetery), released in 2010, topped the bestseller charts in Italy. Eco also wrote academic texts, children's books, and essays, and edited and translated into Italian books from French, such as Raymond Queneau’s “Exercises in Style” (1983). He was the founder of the Department of Media Studies at the University of the Republic of San Marino,[3] president of the Graduate School for the Study of the Humanities at the University of Bologna, member of the Accademia dei Lincei, and an honorary fellow of Kellogg College, Oxford.
3.0
On Ugliness
by Umberto Eco, Alastair McEwen (translator)
In the mold of his acclaimed History of Beauty, renowned cultural critic Umberto Eco’s On Ugliness is an exploration of the monstrous and the repellant in visual culture and the arts. What is the voyeuristic impulse behind our attraction to the gruesome and the horrible? Where does the magnetic appeal of the sordid and the scandalous come from? Is ugliness also in the eye of the beholder? Eco’s encyclopedic knowledge and captivating storytelling skills combine in this ingenious study of the Ugly, revealing that what we often shield ourselves from and shun in everyday life is what we’re most attracted to subliminally. Topics range from Milton’s Satan to Goethe’s Mephistopheles; from witchcraft and medieval torture tactics to martyrs, hermits, and penitents; from lunar births and disemboweled corpses to mythic monsters and sideshow freaks; and from Decadentism and picturesque ugliness to the tacky, kitsch, and camp, and the aesthetics of excess and vice. With abundant examples of painting and sculpture ranging from ancient Greek amphorae to Bosch, Brueghel, and Goya among others, and with quotations from the most celebrated writers and philosophers of each age, this provocative discussion explores in-depth the concepts of evil, depravity, and darkness in art and literature.
ART_PHILOSOPHYAESTHETICS_HISTORY
RELEASED2007
PUBLISHERRizzoli
LENGTH456
LANGUAGEEN
Umberto Eco (5 January 1932 – 19 February 2016) was an Italian novelist, literary critic, philosopher, semiotician, and university professor. He is widely known for his 1980 novel Il nome della rosa (The Name of the Rose), a historical mystery combining semiotics in fiction with biblical analysis, medieval studies, and literary theory. He later wrote other novels, including Il pendolo di Foucault (Foucault's Pendulum) and L'isola del giorno prima (The Island of the Day Before). His novel Il cimitero di Praga (The Prague Cemetery), released in 2010, topped the bestseller charts in Italy. Eco also wrote academic texts, children's books, and essays, and edited and translated into Italian books from French, such as Raymond Queneau’s “Exercises in Style” (1983). He was the founder of the Department of Media Studies at the University of the Republic of San Marino,[3] president of the Graduate School for the Study of the Humanities at the University of Bologna, member of the Accademia dei Lincei, and an honorary fellow of Kellogg College, Oxford.
