4.4
Inferno (The Divine Comedy)
by Dante
"Professor Esolen's translation of Dante's Inferno is the best one I have seen, for two reasons. His decision to use unrhymed blank verse allows him to come nearly as close to the meaning of the original as any prose reading could do, and allows him also to avoid the harrowing sacrifices that the demand for rhyme imposes on any translator. And his endnotes and other additions provoke answers to almost any question that could arise about the work." —A. Kent Hieatt
A groundbreaking bilingual edition of Dante's masterpiece that includes a substantive Introduction, extensive notes, and appendixes that reproduce Dante's key sources and influences. Of the great poets, Dante is one of the most elusive and therefore one of the most difficult to adequately render into English verse. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem's line-by-line vigor and its allegorically and philosophically exacting structure, yielding an Inferno that will be as popular with general readers as with scholars, teachers, and students. For, as Dante insists, without a trace of sentimentality or intellectual compromise, even Hell is a work of divine art.
Esolen's edition also provides a critical ntroduction and endnotes, with appendices containing Dante's most important sources—from Virgil to Saint Thomas Aquinas and beyond —that deftly illuminate the religious universe the poet inhabited.
Verse Translation by Anthony Esolen
Illustrations by Gustave Doré
A groundbreaking bilingual edition of Dante's masterpiece that includes a substantive Introduction, extensive notes, and appendixes that reproduce Dante's key sources and influences. Of the great poets, Dante is one of the most elusive and therefore one of the most difficult to adequately render into English verse. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem's line-by-line vigor and its allegorically and philosophically exacting structure, yielding an Inferno that will be as popular with general readers as with scholars, teachers, and students. For, as Dante insists, without a trace of sentimentality or intellectual compromise, even Hell is a work of divine art.
Esolen's edition also provides a critical ntroduction and endnotes, with appendices containing Dante's most important sources—from Virgil to Saint Thomas Aquinas and beyond —that deftly illuminate the religious universe the poet inhabited.
Verse Translation by Anthony Esolen
Illustrations by Gustave Doré
POETRY (POETIC WORKS BY ONE AUTHOR)
RELEASED2003
PUBLISHERModern Library
LENGTH528
LANGUAGEEN
Dante was an Italian poet of the Middle Ages. The name Dante is, according to the words of Jacopo Alighieri, a hypocorism for Durante. In contemporary documents it is followed by the patronymic Alagherii or de Alagheriis; it was Boccaccio who popularized the form Alighieri. ([Source][1].) [1]:http://en.wikipedia.org/wiki/Dante_Alighieri Painter of this picture of Dante is Sandro Botticelli, See the new edition of the comedy published by Ateliê Editorial of São Paulo, Brazil, trabslation in verso terza rima complete by João Trentino Ziller
4.4
Inferno (The Divine Comedy)
by Dante
"Professor Esolen's translation of Dante's Inferno is the best one I have seen, for two reasons. His decision to use unrhymed blank verse allows him to come nearly as close to the meaning of the original as any prose reading could do, and allows him also to avoid the harrowing sacrifices that the demand for rhyme imposes on any translator. And his endnotes and other additions provoke answers to almost any question that could arise about the work." —A. Kent Hieatt
A groundbreaking bilingual edition of Dante's masterpiece that includes a substantive Introduction, extensive notes, and appendixes that reproduce Dante's key sources and influences. Of the great poets, Dante is one of the most elusive and therefore one of the most difficult to adequately render into English verse. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem's line-by-line vigor and its allegorically and philosophically exacting structure, yielding an Inferno that will be as popular with general readers as with scholars, teachers, and students. For, as Dante insists, without a trace of sentimentality or intellectual compromise, even Hell is a work of divine art.
Esolen's edition also provides a critical ntroduction and endnotes, with appendices containing Dante's most important sources—from Virgil to Saint Thomas Aquinas and beyond —that deftly illuminate the religious universe the poet inhabited.
Verse Translation by Anthony Esolen
Illustrations by Gustave Doré
A groundbreaking bilingual edition of Dante's masterpiece that includes a substantive Introduction, extensive notes, and appendixes that reproduce Dante's key sources and influences. Of the great poets, Dante is one of the most elusive and therefore one of the most difficult to adequately render into English verse. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem's line-by-line vigor and its allegorically and philosophically exacting structure, yielding an Inferno that will be as popular with general readers as with scholars, teachers, and students. For, as Dante insists, without a trace of sentimentality or intellectual compromise, even Hell is a work of divine art.
Esolen's edition also provides a critical ntroduction and endnotes, with appendices containing Dante's most important sources—from Virgil to Saint Thomas Aquinas and beyond —that deftly illuminate the religious universe the poet inhabited.
Verse Translation by Anthony Esolen
Illustrations by Gustave Doré
POETRY (POETIC WORKS BY ONE AUTHOR)
RELEASED2003
PUBLISHERModern Library
LENGTH528
LANGUAGEEN
Dante was an Italian poet of the Middle Ages. The name Dante is, according to the words of Jacopo Alighieri, a hypocorism for Durante. In contemporary documents it is followed by the patronymic Alagherii or de Alagheriis; it was Boccaccio who popularized the form Alighieri. ([Source][1].) [1]:http://en.wikipedia.org/wiki/Dante_Alighieri Painter of this picture of Dante is Sandro Botticelli, See the new edition of the comedy published by Ateliê Editorial of São Paulo, Brazil, trabslation in verso terza rima complete by João Trentino Ziller
