
The second full-length novel featuring the popular characters Jeeves and Bertie Wooster, after Thank You, Jeeves. It also features a host of other recurring Wodehouse characters (some of whom it introduces) and is mostly set at Brinkley Court, the home of Bertie's Aunt Dahlia.
I would urge you, however, to get hold of the complete novel Right Ho, Jeeves, where you will encounter it fully in context and find that it leaps even more magnificently to life. I don't know if you have had the same experience, but the snag I always come up against when I'm telling a story is this dashed difficult problem of where to begin it. It's a thing you don't want to go wrong over, because one false step and you're sunk. I mean, if you fool about too long at the start, trying to establish atmosphere, as they call it, and all that sort of rot, you fail to grip and the customers walk out on you. Get off the mark, on the other hand, like a scalded cat, and your public is at a loss. It simply raises its eyebrows, and can't make out what you're talking about. And in opening my report of the complex case of Gussie Fink-Nottle, Madeline Bassett, my Cousin Angela, my Aunt Dahlia, my Uncle Thomas, young Tuppy Glossop and the cook, Anatole, with the above spot of dialogue, I see that I have made the second of these two floaters. I shall have to hark back a bit. And taking it for all in all and weighing this against that, I suppose the affair may be said to have had its inception, if inception is the word I want, with that visit of mine to Cannes. If I hadn't gone to Cannes, I shouldn't have met the Bassett or bought that white mess jacket, and Angela wouldn't have met her shark, and Aunt Dahlia wouldn't have played baccarat. Yes, most decidedly, Cannes was the point d'appui. . . .
Sir Pelham Grenville Wodehouse, KBE (15 October 1881 – 14 February 1975) (pronounced /ˈwʊdhaʊs/) was an English humorist, whose body of work includes novels, short stories, plays, poems, song lyrics, and numerous pieces of journalism. He enjoyed enormous popular success during a career of more than seventy years and his many writings continue to be widely read. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of pre-war English upper-class society, reflecting his birth, education, and youthful writing career. An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by modern writers such as Stephen Fry, Douglas Adams, Salman Rushdie, Zadie Smith and Terry Pratchett. Journalist and writer Christopher Hitchens commented, "there is not, and never will be, anything to touch him." Wodehouse's characters are often eccentric, with peculiar attachments, such as to pigs (Lord Emsworth), newts (Gussie Fink-Nottle), antique silver (Bertie's Uncle Tom Travers), golf-collectables (numerous characters) or socks (Archibald Mulliner). His "mentally negligible" good-natured characters invariably make their lot worse by their half-witted schemes to improve a bad situation. A key figure in most Wodehouse stories is a "fixer" whose genius soars above the incompetent blather and crude bluster of most of the other characters, Jeeves being the best known example. Other characters in this vein are Lord Ickenham ("Uncle Fred") and Galahad Threepwood, who perform much the same role in the Blandings Castle stories—though never both at the same time—and Psmith, who does the same thing in the stories that bear his name. Wodehouse was known for his consummate skill at their detailed construction and development. Typically, a relative or friend makes some demand that forces a character into a bizarre situation from which it seems impossible to recover, only to resolve itself in a clever and satisfying finale. Source: Wikipedia [http://en.wikipedia.org/wiki/P._G._Wodehouse]

The second full-length novel featuring the popular characters Jeeves and Bertie Wooster, after Thank You, Jeeves. It also features a host of other recurring Wodehouse characters (some of whom it introduces) and is mostly set at Brinkley Court, the home of Bertie's Aunt Dahlia.
I would urge you, however, to get hold of the complete novel Right Ho, Jeeves, where you will encounter it fully in context and find that it leaps even more magnificently to life. I don't know if you have had the same experience, but the snag I always come up against when I'm telling a story is this dashed difficult problem of where to begin it. It's a thing you don't want to go wrong over, because one false step and you're sunk. I mean, if you fool about too long at the start, trying to establish atmosphere, as they call it, and all that sort of rot, you fail to grip and the customers walk out on you. Get off the mark, on the other hand, like a scalded cat, and your public is at a loss. It simply raises its eyebrows, and can't make out what you're talking about. And in opening my report of the complex case of Gussie Fink-Nottle, Madeline Bassett, my Cousin Angela, my Aunt Dahlia, my Uncle Thomas, young Tuppy Glossop and the cook, Anatole, with the above spot of dialogue, I see that I have made the second of these two floaters. I shall have to hark back a bit. And taking it for all in all and weighing this against that, I suppose the affair may be said to have had its inception, if inception is the word I want, with that visit of mine to Cannes. If I hadn't gone to Cannes, I shouldn't have met the Bassett or bought that white mess jacket, and Angela wouldn't have met her shark, and Aunt Dahlia wouldn't have played baccarat. Yes, most decidedly, Cannes was the point d'appui. . . .
Sir Pelham Grenville Wodehouse, KBE (15 October 1881 – 14 February 1975) (pronounced /ˈwʊdhaʊs/) was an English humorist, whose body of work includes novels, short stories, plays, poems, song lyrics, and numerous pieces of journalism. He enjoyed enormous popular success during a career of more than seventy years and his many writings continue to be widely read. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of pre-war English upper-class society, reflecting his birth, education, and youthful writing career. An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by modern writers such as Stephen Fry, Douglas Adams, Salman Rushdie, Zadie Smith and Terry Pratchett. Journalist and writer Christopher Hitchens commented, "there is not, and never will be, anything to touch him." Wodehouse's characters are often eccentric, with peculiar attachments, such as to pigs (Lord Emsworth), newts (Gussie Fink-Nottle), antique silver (Bertie's Uncle Tom Travers), golf-collectables (numerous characters) or socks (Archibald Mulliner). His "mentally negligible" good-natured characters invariably make their lot worse by their half-witted schemes to improve a bad situation. A key figure in most Wodehouse stories is a "fixer" whose genius soars above the incompetent blather and crude bluster of most of the other characters, Jeeves being the best known example. Other characters in this vein are Lord Ickenham ("Uncle Fred") and Galahad Threepwood, who perform much the same role in the Blandings Castle stories—though never both at the same time—and Psmith, who does the same thing in the stories that bear his name. Wodehouse was known for his consummate skill at their detailed construction and development. Typically, a relative or friend makes some demand that forces a character into a bizarre situation from which it seems impossible to recover, only to resolve itself in a clever and satisfying finale. Source: Wikipedia [http://en.wikipedia.org/wiki/P._G._Wodehouse]