4.4
Kindred
Experience the novel that redefined American literature by the New York Times bestselling author of Parable of the Sower, MacArthur “Genius," and Nebula and Hugo award winner
Selected by The Atlantic as one of the "most consequential novels of the past 100 years"
"I lost an arm on my last trip home. My left arm."
Dana's 26th birthday celebration ends when she's ripped from 1976 California and thrust onto a Maryland slave plantation in 1815. Her mission: keep alive the white boy who will grow up to assault her ancestor—because without him, she'll never be born.
Every trip back grows more dangerous. Dana feels the lash, wears the chains, endures the daily terror that defined millions of lives. She can't just read about slavery's horrors—she lives them, bleeds from them, nearly breaks under them.
Butler doesn't let you observe from a safe distance. You're trapped in Dana's skin as she navigates impossible choices: submit to survive, or resist and risk everything. You'll feel her desperation as she fights to preserve her humanity while the plantation's brutality threatens to consume her.
This isn't historical fiction—it's time travel that cuts straight to the bone of American racism. Butler pioneered the neo-slavery narrative that inspired Colson Whitehead's Underground Railroad and Ta-Nehisi Coates's Water Dancer. But Kindred remains unmatched in its raw power to make slavery's legacy feel immediate, personal, and inescapable.
You'll finish this book changed. Dana's story will lodge itself in your chest and refuse to leave. You'll understand, in ways textbooks never taught you, how the past lives in our present—and why that matters more than ever.
“Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times).
“Reading Octavia Butler taught me to dream big, and I think it’s absolutely necessary that everybody have that freedom and that willingness to dream.”
—N. K. Jemisin
This book has been published with two different covers. Customers will be shipped the cover available.
Selected by The Atlantic as one of the "most consequential novels of the past 100 years"
"I lost an arm on my last trip home. My left arm."
Dana's 26th birthday celebration ends when she's ripped from 1976 California and thrust onto a Maryland slave plantation in 1815. Her mission: keep alive the white boy who will grow up to assault her ancestor—because without him, she'll never be born.
Every trip back grows more dangerous. Dana feels the lash, wears the chains, endures the daily terror that defined millions of lives. She can't just read about slavery's horrors—she lives them, bleeds from them, nearly breaks under them.
Butler doesn't let you observe from a safe distance. You're trapped in Dana's skin as she navigates impossible choices: submit to survive, or resist and risk everything. You'll feel her desperation as she fights to preserve her humanity while the plantation's brutality threatens to consume her.
This isn't historical fiction—it's time travel that cuts straight to the bone of American racism. Butler pioneered the neo-slavery narrative that inspired Colson Whitehead's Underground Railroad and Ta-Nehisi Coates's Water Dancer. But Kindred remains unmatched in its raw power to make slavery's legacy feel immediate, personal, and inescapable.
You'll finish this book changed. Dana's story will lodge itself in your chest and refuse to leave. You'll understand, in ways textbooks never taught you, how the past lives in our present—and why that matters more than ever.
“Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times).
“Reading Octavia Butler taught me to dream big, and I think it’s absolutely necessary that everybody have that freedom and that willingness to dream.”
—N. K. Jemisin
This book has been published with two different covers. Customers will be shipped the cover available.
FictionScience FictionTime TravelYoung Adult FictionApocalyptic & Post-ApocalypticDystopian
RELEASED2004
PUBLISHERBeacon Press
LENGTH288
LANGUAGEEN
An American science fiction writer, one of the best-known among the few African-American women in the field. [Comment by Tricia Sullivan, on The Guardian][1]: Octavia E Butler (1947–2006) > I was teaching in New York when I came across Octavia E Butler's Kindred in a secondary-school catalogue of novels recommended to support diversity. It caught my attention because Butler was described as a science-fiction writer. I thought I was familiar with science fiction, but I'd never heard of her – nor have a great many other readers, I suspect. For many years, Butler was the sole African-American woman novelist in science fiction. Kindred tells the wrenching and unforgettable story of a young black woman who time-travels and saves the life of her slaveholder ancestor, but it is, in Butler's words, "a grim fantasy", not science fiction. > Beginning in the 1970s, Butler wrote three sequences of novels: the Patternist books, the Lilith's Brood series and the Parable novels (incomplete at her tragic death in 2006). Critically respected, she won the Hugo and Nebula awards, received a Clarke nomination, the PEN lifetime achievement award and a MacArthur Foundation "genius" grant. A serious writer working in a field that is seldom taken seriously, Butler addressed biological control, gender, humanity's relationship with aliens, genetics and even the development of a fictional religion. Her narratives leave space for the reader's involvement while exploring the nature of change. They gaze unflinchingly on power dynamics. "Who will rule? Who will lead? Who will define, refine, confine, design? Who will dominate? All struggles are essentially power struggles," Butler stated, "and most are no more intellectual than two rams knocking their heads together." Butler's writing is courageous, stimulating and infused with a rare purity of intention. Crushingly, she died at the height of her powers. [Bloodchild and Other Stories][2] is a good place to begin discovering her work. [1]: http://www.guardian.co.uk/books/2011/may/14/science-fiction-authors-choice [2]: http://openlibrary.org/works/OL35621W/Bloodchild_and_other_stories
4.4
Kindred
Experience the novel that redefined American literature by the New York Times bestselling author of Parable of the Sower, MacArthur “Genius," and Nebula and Hugo award winner
Selected by The Atlantic as one of the "most consequential novels of the past 100 years"
"I lost an arm on my last trip home. My left arm."
Dana's 26th birthday celebration ends when she's ripped from 1976 California and thrust onto a Maryland slave plantation in 1815. Her mission: keep alive the white boy who will grow up to assault her ancestor—because without him, she'll never be born.
Every trip back grows more dangerous. Dana feels the lash, wears the chains, endures the daily terror that defined millions of lives. She can't just read about slavery's horrors—she lives them, bleeds from them, nearly breaks under them.
Butler doesn't let you observe from a safe distance. You're trapped in Dana's skin as she navigates impossible choices: submit to survive, or resist and risk everything. You'll feel her desperation as she fights to preserve her humanity while the plantation's brutality threatens to consume her.
This isn't historical fiction—it's time travel that cuts straight to the bone of American racism. Butler pioneered the neo-slavery narrative that inspired Colson Whitehead's Underground Railroad and Ta-Nehisi Coates's Water Dancer. But Kindred remains unmatched in its raw power to make slavery's legacy feel immediate, personal, and inescapable.
You'll finish this book changed. Dana's story will lodge itself in your chest and refuse to leave. You'll understand, in ways textbooks never taught you, how the past lives in our present—and why that matters more than ever.
“Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times).
“Reading Octavia Butler taught me to dream big, and I think it’s absolutely necessary that everybody have that freedom and that willingness to dream.”
—N. K. Jemisin
This book has been published with two different covers. Customers will be shipped the cover available.
Selected by The Atlantic as one of the "most consequential novels of the past 100 years"
"I lost an arm on my last trip home. My left arm."
Dana's 26th birthday celebration ends when she's ripped from 1976 California and thrust onto a Maryland slave plantation in 1815. Her mission: keep alive the white boy who will grow up to assault her ancestor—because without him, she'll never be born.
Every trip back grows more dangerous. Dana feels the lash, wears the chains, endures the daily terror that defined millions of lives. She can't just read about slavery's horrors—she lives them, bleeds from them, nearly breaks under them.
Butler doesn't let you observe from a safe distance. You're trapped in Dana's skin as she navigates impossible choices: submit to survive, or resist and risk everything. You'll feel her desperation as she fights to preserve her humanity while the plantation's brutality threatens to consume her.
This isn't historical fiction—it's time travel that cuts straight to the bone of American racism. Butler pioneered the neo-slavery narrative that inspired Colson Whitehead's Underground Railroad and Ta-Nehisi Coates's Water Dancer. But Kindred remains unmatched in its raw power to make slavery's legacy feel immediate, personal, and inescapable.
You'll finish this book changed. Dana's story will lodge itself in your chest and refuse to leave. You'll understand, in ways textbooks never taught you, how the past lives in our present—and why that matters more than ever.
“Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times).
“Reading Octavia Butler taught me to dream big, and I think it’s absolutely necessary that everybody have that freedom and that willingness to dream.”
—N. K. Jemisin
This book has been published with two different covers. Customers will be shipped the cover available.
FictionScience FictionTime TravelYoung Adult FictionApocalyptic & Post-ApocalypticDystopian
RELEASED2004
PUBLISHERBeacon Press
LENGTH288
LANGUAGEEN
An American science fiction writer, one of the best-known among the few African-American women in the field. [Comment by Tricia Sullivan, on The Guardian][1]: Octavia E Butler (1947–2006) > I was teaching in New York when I came across Octavia E Butler's Kindred in a secondary-school catalogue of novels recommended to support diversity. It caught my attention because Butler was described as a science-fiction writer. I thought I was familiar with science fiction, but I'd never heard of her – nor have a great many other readers, I suspect. For many years, Butler was the sole African-American woman novelist in science fiction. Kindred tells the wrenching and unforgettable story of a young black woman who time-travels and saves the life of her slaveholder ancestor, but it is, in Butler's words, "a grim fantasy", not science fiction. > Beginning in the 1970s, Butler wrote three sequences of novels: the Patternist books, the Lilith's Brood series and the Parable novels (incomplete at her tragic death in 2006). Critically respected, she won the Hugo and Nebula awards, received a Clarke nomination, the PEN lifetime achievement award and a MacArthur Foundation "genius" grant. A serious writer working in a field that is seldom taken seriously, Butler addressed biological control, gender, humanity's relationship with aliens, genetics and even the development of a fictional religion. Her narratives leave space for the reader's involvement while exploring the nature of change. They gaze unflinchingly on power dynamics. "Who will rule? Who will lead? Who will define, refine, confine, design? Who will dominate? All struggles are essentially power struggles," Butler stated, "and most are no more intellectual than two rams knocking their heads together." Butler's writing is courageous, stimulating and infused with a rare purity of intention. Crushingly, she died at the height of her powers. [Bloodchild and Other Stories][2] is a good place to begin discovering her work. [1]: http://www.guardian.co.uk/books/2011/may/14/science-fiction-authors-choice [2]: http://openlibrary.org/works/OL35621W/Bloodchild_and_other_stories
