3.0
The Wild Swans
What is the fate of art in an age of publicity? How has the role of traditional public (i.e., government-owned) art changed in contemporary culture, and how have changing conditions of public space and mass communications altered the whole relationship between art and its potential audiences?
With contributions from the arts, philosophy, criticism, and the law, the thirteen essays in this volume explore the aesthetic, social, and political dynamics that make contemporary public art so controversial, and that that have placed recent art work at the center of public debates.
Contributors include Vito Acconci, "Public Space in a Private Time"; Agnes Denes, "The Dream"; W. J. T. Mitchell, "The Violence of Public Art: Do the Right Thing"; Ben Nicholson, "Urban Poises"; Michael North, "The Public as Sculpture: From Heavenly City to Mass Ornament"; Barbara Kruger, in an interview with W. J. T. Mitchell; Barbara Hoffman, "Law for Art's Sake in the Public Realm"; Richard Serra, "Art and Censorship"; James E. Young, "The Counter-Monument: Memory Against Itself in Germany Today": Charles Griswold, "The Vietnam Veterans Memorial and the Washington Mall: Philosophical Thoughts on Political Iconography"; John Hallmark Neff, "Daring to Dream"; and David Antin and Virginia Maksymowicz.
Presenting a balance of theoretical and performative essays by both critics and artists, this book will provide deep and discordant analyses of contemporary public art for general readers, as well as students and scholars of art, architecture, and public policy related to the arts.
Most of these articles originally appeared in the journal Critical Inquiry.
With contributions from the arts, philosophy, criticism, and the law, the thirteen essays in this volume explore the aesthetic, social, and political dynamics that make contemporary public art so controversial, and that that have placed recent art work at the center of public debates.
Contributors include Vito Acconci, "Public Space in a Private Time"; Agnes Denes, "The Dream"; W. J. T. Mitchell, "The Violence of Public Art: Do the Right Thing"; Ben Nicholson, "Urban Poises"; Michael North, "The Public as Sculpture: From Heavenly City to Mass Ornament"; Barbara Kruger, in an interview with W. J. T. Mitchell; Barbara Hoffman, "Law for Art's Sake in the Public Realm"; Richard Serra, "Art and Censorship"; James E. Young, "The Counter-Monument: Memory Against Itself in Germany Today": Charles Griswold, "The Vietnam Veterans Memorial and the Washington Mall: Philosophical Thoughts on Political Iconography"; John Hallmark Neff, "Daring to Dream"; and David Antin and Virginia Maksymowicz.
Presenting a balance of theoretical and performative essays by both critics and artists, this book will provide deep and discordant analyses of contemporary public art for general readers, as well as students and scholars of art, architecture, and public policy related to the arts.
Most of these articles originally appeared in the journal Critical Inquiry.
Juvenile FictionAnimalsDucks, Geese, etcFairy Tales & FolkloreAnthologiesLegends, Myths, Fables
RELEASED1981
PUBLISHERDial Press
LENGTH40
LANGUAGEEN
Hans Christian Andersen was born in Odense, Denmark, to a father who claimed to be related to nobility. After school, he worked as a weaver's apprentice and as a tailor's assistant. At 14, he moved to Copenhagen to be an actor, and was accepted into the Royal Danish Theatre. His career ended when his voice changed, and he decided to become a writer. He published his first story, The Ghost at Palnatoke's Grave, in 1822. An acquaintance paid all expenses to send him to grammar school in Slagelse. He also attended school at Elsinore until 1827. He later admitted that his school years were the darkest and bitterest of his life. After school, Andersen resumed writing. In 1829, he started to see his first successes, publishing a short story, "A Journey on Foot from Holmen's Canal to the East Point of Amager", and a collection of poems. In 1833 he received a traveling grant from the King and set out to travel through Europe. He published his first novel, The Improvisatore, in 1835. He also published the first set of Fairy Tales, following up with more stories in 1836 and 1837. Although they were not initially successful, they have become his best-known works. He wrote a well-received poem, Jeg er en Skandinav, which celebrated Scandinavism, in 1839. In 1857, following a visit to Charles Dickens in England, Andersen met Danish actor Lauritz Eckardt and Danish ballet dancer Harald Scharff in Paris. In 1860, he met them again in Bavaria, and the three of them spent a week in Munich together. Anderson fell in love with Scharff, and started corresponding with him when Scharff and Eckardt left Munich. They were united when Andersen returned to Copenhagen in 1862. Their affair lasted for over a year before it was ended by Scharff, and Andersen did not have another serious relationship. In 1872, Andersen was injured in a fall, and he died of his injuries in 1875.
3.0
The Wild Swans
What is the fate of art in an age of publicity? How has the role of traditional public (i.e., government-owned) art changed in contemporary culture, and how have changing conditions of public space and mass communications altered the whole relationship between art and its potential audiences?
With contributions from the arts, philosophy, criticism, and the law, the thirteen essays in this volume explore the aesthetic, social, and political dynamics that make contemporary public art so controversial, and that that have placed recent art work at the center of public debates.
Contributors include Vito Acconci, "Public Space in a Private Time"; Agnes Denes, "The Dream"; W. J. T. Mitchell, "The Violence of Public Art: Do the Right Thing"; Ben Nicholson, "Urban Poises"; Michael North, "The Public as Sculpture: From Heavenly City to Mass Ornament"; Barbara Kruger, in an interview with W. J. T. Mitchell; Barbara Hoffman, "Law for Art's Sake in the Public Realm"; Richard Serra, "Art and Censorship"; James E. Young, "The Counter-Monument: Memory Against Itself in Germany Today": Charles Griswold, "The Vietnam Veterans Memorial and the Washington Mall: Philosophical Thoughts on Political Iconography"; John Hallmark Neff, "Daring to Dream"; and David Antin and Virginia Maksymowicz.
Presenting a balance of theoretical and performative essays by both critics and artists, this book will provide deep and discordant analyses of contemporary public art for general readers, as well as students and scholars of art, architecture, and public policy related to the arts.
Most of these articles originally appeared in the journal Critical Inquiry.
With contributions from the arts, philosophy, criticism, and the law, the thirteen essays in this volume explore the aesthetic, social, and political dynamics that make contemporary public art so controversial, and that that have placed recent art work at the center of public debates.
Contributors include Vito Acconci, "Public Space in a Private Time"; Agnes Denes, "The Dream"; W. J. T. Mitchell, "The Violence of Public Art: Do the Right Thing"; Ben Nicholson, "Urban Poises"; Michael North, "The Public as Sculpture: From Heavenly City to Mass Ornament"; Barbara Kruger, in an interview with W. J. T. Mitchell; Barbara Hoffman, "Law for Art's Sake in the Public Realm"; Richard Serra, "Art and Censorship"; James E. Young, "The Counter-Monument: Memory Against Itself in Germany Today": Charles Griswold, "The Vietnam Veterans Memorial and the Washington Mall: Philosophical Thoughts on Political Iconography"; John Hallmark Neff, "Daring to Dream"; and David Antin and Virginia Maksymowicz.
Presenting a balance of theoretical and performative essays by both critics and artists, this book will provide deep and discordant analyses of contemporary public art for general readers, as well as students and scholars of art, architecture, and public policy related to the arts.
Most of these articles originally appeared in the journal Critical Inquiry.
Juvenile FictionAnimalsDucks, Geese, etcFairy Tales & FolkloreAnthologiesLegends, Myths, Fables
RELEASED1981
PUBLISHERDial Press
LENGTH40
LANGUAGEEN
Hans Christian Andersen was born in Odense, Denmark, to a father who claimed to be related to nobility. After school, he worked as a weaver's apprentice and as a tailor's assistant. At 14, he moved to Copenhagen to be an actor, and was accepted into the Royal Danish Theatre. His career ended when his voice changed, and he decided to become a writer. He published his first story, The Ghost at Palnatoke's Grave, in 1822. An acquaintance paid all expenses to send him to grammar school in Slagelse. He also attended school at Elsinore until 1827. He later admitted that his school years were the darkest and bitterest of his life. After school, Andersen resumed writing. In 1829, he started to see his first successes, publishing a short story, "A Journey on Foot from Holmen's Canal to the East Point of Amager", and a collection of poems. In 1833 he received a traveling grant from the King and set out to travel through Europe. He published his first novel, The Improvisatore, in 1835. He also published the first set of Fairy Tales, following up with more stories in 1836 and 1837. Although they were not initially successful, they have become his best-known works. He wrote a well-received poem, Jeg er en Skandinav, which celebrated Scandinavism, in 1839. In 1857, following a visit to Charles Dickens in England, Andersen met Danish actor Lauritz Eckardt and Danish ballet dancer Harald Scharff in Paris. In 1860, he met them again in Bavaria, and the three of them spent a week in Munich together. Anderson fell in love with Scharff, and started corresponding with him when Scharff and Eckardt left Munich. They were united when Andersen returned to Copenhagen in 1862. Their affair lasted for over a year before it was ended by Scharff, and Andersen did not have another serious relationship. In 1872, Andersen was injured in a fall, and he died of his injuries in 1875.
