
by Russell Kirk
"Ancestral Shadows" collects nineteen of Kirkbs best ghostly tales from periodicals and anthologies published throughout his life. In the tradition of Defoe, Stevenson, Hawthorne, Coleridge, Poe, and other master writers, these frightful stories conjure the creaks and shadows of the very places where they came to life through Kirkbs pen: haunted St. Andrews, the Isle of Eigg, Kellie Castle, Balcarres House, Durie House (bwhich has the most persistent of all country-house spectresb), and Kirkbs own ancestral spooky house in Mecosta, Michigan.
Full of fantastic gothic tales masterfully told, the volume ends with bA Cautionary Note on the Ghostly Tale, b an incisive piece in which Kirk reflects on why he writes such stories: bexperiments in the moral imaginationb are what he is really after. Ghost stories are not merely entertaining but possess a particular ability to capture the essential features of human nature, of good and evil. bAll important literature has some ethical end, b Kirk says, band the tale of the preternatural -- as written by George Macdonald, C. S. Lewis, Charles Williams, and other masters -- can be an instrument for the recovery of moral order.b
Including an illuminative introduction by Vigen Guroian, "Ancestral Shadows" will enthrall and delight all lovers ofghost stories.

by Russell Kirk
"Ancestral Shadows" collects nineteen of Kirkbs best ghostly tales from periodicals and anthologies published throughout his life. In the tradition of Defoe, Stevenson, Hawthorne, Coleridge, Poe, and other master writers, these frightful stories conjure the creaks and shadows of the very places where they came to life through Kirkbs pen: haunted St. Andrews, the Isle of Eigg, Kellie Castle, Balcarres House, Durie House (bwhich has the most persistent of all country-house spectresb), and Kirkbs own ancestral spooky house in Mecosta, Michigan.
Full of fantastic gothic tales masterfully told, the volume ends with bA Cautionary Note on the Ghostly Tale, b an incisive piece in which Kirk reflects on why he writes such stories: bexperiments in the moral imaginationb are what he is really after. Ghost stories are not merely entertaining but possess a particular ability to capture the essential features of human nature, of good and evil. bAll important literature has some ethical end, b Kirk says, band the tale of the preternatural -- as written by George Macdonald, C. S. Lewis, Charles Williams, and other masters -- can be an instrument for the recovery of moral order.b
Including an illuminative introduction by Vigen Guroian, "Ancestral Shadows" will enthrall and delight all lovers ofghost stories.