No Author Better Served The Correspondence of Samuel Beckett and Alan Schneider
For Alan Schneider, directing Endgame, Samuel Beckett lays out the play’s philosophy, then adds: “Don’t mention any of this to your actors!”
He claimed he couldn’t talk about his work, but Beckett proves remarkably forthcoming in these pages, which document the thirty-year working relationship between the playwright and his principal producer in the United States. The correspondence between Beckett and Schneider offers an unparalleled picture of the art and craft of theater in the hands of two masters. It is also an endlessly enlightening look into the playwright’s ideas and methods, his remarks a virtual crib sheet for his brilliant, eccentric plays.
Alan Schneider premiered five of Beckett’s plays in the United States, including Waiting for Godot, Krapp’s Last Tape, and Endgame, and directed a number of revivals. Preparing for each new production, the two wrote extensive letters—about intended tone, conception of characters, irony and verbal echoes, staging details for scenes, delivery of individual lines. From such details a remarkable sense of the playwright’s vision emerges, as well as a feel for the director’s task. Of Godot, Beckett wrote to Schneider, “I feel my monster is in safe keeping.” His confidence in the director, and Schneider’s persistent probing for a surer understanding of each play, have produced a marvelous resource: a detailed map of Beckett’s work in conception and in production.
The correspondence starts in December 1955, shortly after their first meeting, and continues to Schneider’s accidental death in March 1984 (when crossing a street to mail a letter to Beckett). The 500 letters capture the world of theater as well as the personalities of their authors. Maurice Harmon’s thorough notes provide a helpful guide to people and events mentioned throughout.
Biography & AutobiographyEntertainment & Performing ArtsLiterary FiguresLiterary CollectionsLettersLiterary Criticism
RELEASED1998
PUBLISHERHarvard University Press
LENGTH486
LANGUAGEEN
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Samuel Barclay Beckett was an Irish avant-garde writer, dramatist and poet, writing in English and French. Beckett's work offers a bleak outlook on human culture and both formally and philosophically became increasingly minimalist in his later career. As a student, assistant, and friend of James Joyce, Beckett is considered one of the last modernists; as an inspiration to many later writers, he is sometimes considered one of the first postmodernists. He is also considered one of the key writers in what Martin Esslin called "Theatre of the Absurd." As such, he is widely regarded as one of the most influential writers of the 20th century. Beckett was awarded the Nobel Prize in Literature in 1969 for his "writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation". Beckett was elected Saoi of Aosdána in 1984. He died in Paris of respiratory problems. ([Source][1]) [1]: http://en.wikipedia.org/wiki/Samuel_Beckett
No Author Better Served The Correspondence of Samuel Beckett and Alan Schneider
by Samuel Beckett, Alan Schneider
For Alan Schneider, directing Endgame, Samuel Beckett lays out the play’s philosophy, then adds: “Don’t mention any of this to your actors!”
He claimed he couldn’t talk about his work, but Beckett proves remarkably forthcoming in these pages, which document the thirty-year working relationship between the playwright and his principal producer in the United States. The correspondence between Beckett and Schneider offers an unparalleled picture of the art and craft of theater in the hands of two masters. It is also an endlessly enlightening look into the playwright’s ideas and methods, his remarks a virtual crib sheet for his brilliant, eccentric plays.
Alan Schneider premiered five of Beckett’s plays in the United States, including Waiting for Godot, Krapp’s Last Tape, and Endgame, and directed a number of revivals. Preparing for each new production, the two wrote extensive letters—about intended tone, conception of characters, irony and verbal echoes, staging details for scenes, delivery of individual lines. From such details a remarkable sense of the playwright’s vision emerges, as well as a feel for the director’s task. Of Godot, Beckett wrote to Schneider, “I feel my monster is in safe keeping.” His confidence in the director, and Schneider’s persistent probing for a surer understanding of each play, have produced a marvelous resource: a detailed map of Beckett’s work in conception and in production.
The correspondence starts in December 1955, shortly after their first meeting, and continues to Schneider’s accidental death in March 1984 (when crossing a street to mail a letter to Beckett). The 500 letters capture the world of theater as well as the personalities of their authors. Maurice Harmon’s thorough notes provide a helpful guide to people and events mentioned throughout.
Biography & AutobiographyEntertainment & Performing ArtsLiterary FiguresLiterary CollectionsLettersLiterary CriticismEuropeanEnglish, Irish, Scottish, Welsh
RELEASED1998
PUBLISHERHarvard University Press
LENGTH486
LANGUAGEEN
Samuel Barclay Beckett was an Irish avant-garde writer, dramatist and poet, writing in English and French. Beckett's work offers a bleak outlook on human culture and both formally and philosophically became increasingly minimalist in his later career. As a student, assistant, and friend of James Joyce, Beckett is considered one of the last modernists; as an inspiration to many later writers, he is sometimes considered one of the first postmodernists. He is also considered one of the key writers in what Martin Esslin called "Theatre of the Absurd." As such, he is widely regarded as one of the most influential writers of the 20th century. Beckett was awarded the Nobel Prize in Literature in 1969 for his "writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation". Beckett was elected Saoi of Aosdána in 1984. He died in Paris of respiratory problems. ([Source][1]) [1]: http://en.wikipedia.org/wiki/Samuel_Beckett
