
by Susan Sontag
A collection of one of our most powerful intellectual’s short fiction
Debriefing collects all of Susan Sontag’s shorter fiction, a form she turned to intermittently throughout her writing life. The book ranges from allegory to parable to autobiography and shows her wrestling with problems not assimilable to the essay, her more customary mode. Here she catches fragments of life on the fly, dramatizes her private griefs and fears, lets characters take her where they will. The result is a collection of remarkable brilliance, versatility, and charm. Sontag’s work has typically required time for people to catch up to it. These challenging works of literary art—made more urgent by the passage of years—await a new generation of readers. This is an invaluable record of the creative output of one of the most inquisitive and analytical thinkers of the twentieth century at the height of her power.
Susan Sontag (January 16, 1933 – December 28, 2004) was an American writer, filmmaker, philosopher, teacher, and political activist. She mostly wrote essays, but also published novels; she published her first major work, the essay "Notes on 'Camp'", in 1964. Her best-known works include *On Photography*, *Against Interpretation*, *Styles of Radical Will*, *The Way We Live Now*, *Illness as Metaphor*, *Regarding the Pain of Others*, *The Volcano Lover*, and *In America*. Sontag was active in writing and speaking about, or travelling to, areas of conflict, including during the Vietnam War and the Siege of Sarajevo. She wrote extensively about photography, culture and media, AIDS and illness, human rights, and communism and leftist ideology. Although her essays and speeches sometimes drew controversy, she has been described as "one of the most influential critics of her generation." **Source**: [Susan Sontag](https://en.wikipedia.org/wiki/Susan_Sontag) on Wikipedia.

by Susan Sontag
A collection of one of our most powerful intellectual’s short fiction
Debriefing collects all of Susan Sontag’s shorter fiction, a form she turned to intermittently throughout her writing life. The book ranges from allegory to parable to autobiography and shows her wrestling with problems not assimilable to the essay, her more customary mode. Here she catches fragments of life on the fly, dramatizes her private griefs and fears, lets characters take her where they will. The result is a collection of remarkable brilliance, versatility, and charm. Sontag’s work has typically required time for people to catch up to it. These challenging works of literary art—made more urgent by the passage of years—await a new generation of readers. This is an invaluable record of the creative output of one of the most inquisitive and analytical thinkers of the twentieth century at the height of her power.
Susan Sontag (January 16, 1933 – December 28, 2004) was an American writer, filmmaker, philosopher, teacher, and political activist. She mostly wrote essays, but also published novels; she published her first major work, the essay "Notes on 'Camp'", in 1964. Her best-known works include *On Photography*, *Against Interpretation*, *Styles of Radical Will*, *The Way We Live Now*, *Illness as Metaphor*, *Regarding the Pain of Others*, *The Volcano Lover*, and *In America*. Sontag was active in writing and speaking about, or travelling to, areas of conflict, including during the Vietnam War and the Siege of Sarajevo. She wrote extensively about photography, culture and media, AIDS and illness, human rights, and communism and leftist ideology. Although her essays and speeches sometimes drew controversy, she has been described as "one of the most influential critics of her generation." **Source**: [Susan Sontag](https://en.wikipedia.org/wiki/Susan_Sontag) on Wikipedia.