Where the Stress Falls Essays
by Susan Sontag
Thirty-five years after her first collection, the now classic Against Interpretation, America's most important essayist has chosen more than forty longer and shorter pieces from the last twenty years. Divided into three sections, the first "Reading" includes ardent pieces on writers from her own private canon - Machado de Assis, Barthes, W. G. Sebald, Borges, Tsvetaeva, and Elizabeth Hardwick. In the second, "Seeing" she shares her passions for film, dance, photography, painting, opera, and theater. And in the final section, "There and Here" Sontag explores her own commitments to the work (and activism) of conscience and to the vocation of the writer.
Literary CollectionsEssaysWomen AuthorsLiterary CriticismModern20th Century
RELEASED2002
PUBLISHERMacmillan
LENGTH351
LANGUAGEEN
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Susan Sontag (January 16, 1933 – December 28, 2004) was an American writer, filmmaker, philosopher, teacher, and political activist. She mostly wrote essays, but also published novels; she published her first major work, the essay "Notes on 'Camp'", in 1964. Her best-known works include *On Photography*, *Against Interpretation*, *Styles of Radical Will*, *The Way We Live Now*, *Illness as Metaphor*, *Regarding the Pain of Others*, *The Volcano Lover*, and *In America*. Sontag was active in writing and speaking about, or travelling to, areas of conflict, including during the Vietnam War and the Siege of Sarajevo. She wrote extensively about photography, culture and media, AIDS and illness, human rights, and communism and leftist ideology. Although her essays and speeches sometimes drew controversy, she has been described as "one of the most influential critics of her generation." **Source**: [Susan Sontag](https://en.wikipedia.org/wiki/Susan_Sontag) on Wikipedia.
Where the Stress Falls Essays
by Susan Sontag
Thirty-five years after her first collection, the now classic Against Interpretation, America's most important essayist has chosen more than forty longer and shorter pieces from the last twenty years. Divided into three sections, the first "Reading" includes ardent pieces on writers from her own private canon - Machado de Assis, Barthes, W. G. Sebald, Borges, Tsvetaeva, and Elizabeth Hardwick. In the second, "Seeing" she shares her passions for film, dance, photography, painting, opera, and theater. And in the final section, "There and Here" Sontag explores her own commitments to the work (and activism) of conscience and to the vocation of the writer.
Literary CollectionsEssaysWomen AuthorsLiterary CriticismModern20th Century
RELEASED2002
PUBLISHERMacmillan
LENGTH351
LANGUAGEEN
Susan Sontag (January 16, 1933 – December 28, 2004) was an American writer, filmmaker, philosopher, teacher, and political activist. She mostly wrote essays, but also published novels; she published her first major work, the essay "Notes on 'Camp'", in 1964. Her best-known works include *On Photography*, *Against Interpretation*, *Styles of Radical Will*, *The Way We Live Now*, *Illness as Metaphor*, *Regarding the Pain of Others*, *The Volcano Lover*, and *In America*. Sontag was active in writing and speaking about, or travelling to, areas of conflict, including during the Vietnam War and the Siege of Sarajevo. She wrote extensively about photography, culture and media, AIDS and illness, human rights, and communism and leftist ideology. Although her essays and speeches sometimes drew controversy, she has been described as "one of the most influential critics of her generation." **Source**: [Susan Sontag](https://en.wikipedia.org/wiki/Susan_Sontag) on Wikipedia.
