
by A. J. Downing
Mr. Hatfield has contributed a pretty design for a river cottage (see page Messrs. Vaux and Withers were the designers of Judge Monell's cottage, illustrated on page 206, and Mr. Arthur Gilman has given us the plans and views of his own house recently erected on Staten Island.
The rest of the designs were all made by the editor; and all will, he thinks, give a fair idea of the styles and plans for cottages that are acceptable at the present day.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

by A. J. Downing
Mr. Hatfield has contributed a pretty design for a river cottage (see page Messrs. Vaux and Withers were the designers of Judge Monell's cottage, illustrated on page 206, and Mr. Arthur Gilman has given us the plans and views of his own house recently erected on Staten Island.
The rest of the designs were all made by the editor; and all will, he thinks, give a fair idea of the styles and plans for cottages that are acceptable at the present day.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.