Dead Souls A Poem
Although Dead Souls (1842) was largely composed by Gogol during self-imposed exile in Italy in the late 1830s, his last work remains to this day the most essentially Russian of all the great novels in Russian literature. As we follow its hero Chichikov, a dismissed civil servant turned confidence man, about the Russian countryside in pursuit of his shady enterprise, there unfolds before us a gallery of characters worthy in comic range of Chaucer, Rabelais, Fielding, and Sterne. With its rich and ebullient language, ironic twists, and startling juxtapositions, Dead Souls stands as one of the most unusual and poetic masterpieces of the nineteenth century. This new translation by Christopher English includes the surviving chapters and fragments of Part Two, and is complemented by an introductory essay by the pre-eminent Gogol scholar, Robert Maguire.
FictionClassicsLiterary
RELEASED1998
PUBLISHEROxford University Press
LENGTH448
LANGUAGEEN
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Nikolai Vasilievich Gogol (Russian: Николай Васильевич Гоголь; Ukrainian: Микола Васильович Гоголь) (31 March [O.S. 19 March] 1809 – 4 March [O.S. 21 February] 1852) was a Ukrainian-born Russian novelist, humourist, and dramatist He is considered the father of modern Russian realism. His early works, such as Evenings on a Farm Near Dikanka, were heavily influenced by his Ukrainian upbringing and identity. His more mature writing satirised the corrupt bureaucracy of the Russian Empire, leading to his exile. On his return, he immersed himself in the Orthodox Church. The novels *Taras Bul'ba* (1835; 1842 [revised edition]) and *Dead Souls* (1842), the play *The Inspector-General* (1836, 1842), and the short stories *Diary of a Madman*, *The Nose* and *The Overcoat* (1842) are among his best known works. With their scrupulous and scathing realism, ethical criticism as well as philosophical depth, they remain some of the most important works of world literature.
Dead Souls A Poem
Although Dead Souls (1842) was largely composed by Gogol during self-imposed exile in Italy in the late 1830s, his last work remains to this day the most essentially Russian of all the great novels in Russian literature. As we follow its hero Chichikov, a dismissed civil servant turned confidence man, about the Russian countryside in pursuit of his shady enterprise, there unfolds before us a gallery of characters worthy in comic range of Chaucer, Rabelais, Fielding, and Sterne. With its rich and ebullient language, ironic twists, and startling juxtapositions, Dead Souls stands as one of the most unusual and poetic masterpieces of the nineteenth century. This new translation by Christopher English includes the surviving chapters and fragments of Part Two, and is complemented by an introductory essay by the pre-eminent Gogol scholar, Robert Maguire.
FictionClassicsLiterary
RELEASED1998
PUBLISHEROxford University Press
LENGTH448
LANGUAGEEN
Nikolai Vasilievich Gogol (Russian: Николай Васильевич Гоголь; Ukrainian: Микола Васильович Гоголь) (31 March [O.S. 19 March] 1809 – 4 March [O.S. 21 February] 1852) was a Ukrainian-born Russian novelist, humourist, and dramatist He is considered the father of modern Russian realism. His early works, such as Evenings on a Farm Near Dikanka, were heavily influenced by his Ukrainian upbringing and identity. His more mature writing satirised the corrupt bureaucracy of the Russian Empire, leading to his exile. On his return, he immersed himself in the Orthodox Church. The novels *Taras Bul'ba* (1835; 1842 [revised edition]) and *Dead Souls* (1842), the play *The Inspector-General* (1836, 1842), and the short stories *Diary of a Madman*, *The Nose* and *The Overcoat* (1842) are among his best known works. With their scrupulous and scathing realism, ethical criticism as well as philosophical depth, they remain some of the most important works of world literature.
