1.0
The Double
Watching a rented video, Tertuliano Maximo Afonso is shocked to notice that one of the actors is identical to him in every physical detail. He embarks on a secret quest to find his double and sets in motion a train of events that he cannot control. Saramago's novel explores the nature of individuality and examines the fear and insecurity that arise when our singularity comes under threat, when even a wife cannot tell the original from the imposter...
FictionFantasyLiteraryPsychologicalThrillersLiterary Criticism
RELEASED2005
PUBLISHERVintage
LENGTH292
LANGUAGEEN
José de Sousa Saramago, GColSE ComSE GColCa (Portuguese: [ʒuˈzɛ ðɨ ˈso(w).zɐ sɐɾɐˈmaɣu]; 16 November 1922 – 18 June 2010), was a Portuguese writer and recipient of the 1998 Nobel Prize in Literature for his "parables sustained by imagination, compassion and irony [with which he] continually enables us once again to apprehend an elusory reality." His works, some of which can be seen as allegories, commonly present subversive perspectives on historic events, emphasizing the theopoetic human factor. [source](https://en.wikipedia.org/wiki/Jos%C3%A9_Saramago)
1.0
The Double
Watching a rented video, Tertuliano Maximo Afonso is shocked to notice that one of the actors is identical to him in every physical detail. He embarks on a secret quest to find his double and sets in motion a train of events that he cannot control. Saramago's novel explores the nature of individuality and examines the fear and insecurity that arise when our singularity comes under threat, when even a wife cannot tell the original from the imposter...
FictionFantasyLiteraryPsychologicalThrillersLiterary CriticismEuropeanSpanish & Portuguese
RELEASED2005
PUBLISHERVintage
LENGTH292
LANGUAGEEN
José de Sousa Saramago, GColSE ComSE GColCa (Portuguese: [ʒuˈzɛ ðɨ ˈso(w).zɐ sɐɾɐˈmaɣu]; 16 November 1922 – 18 June 2010), was a Portuguese writer and recipient of the 1998 Nobel Prize in Literature for his "parables sustained by imagination, compassion and irony [with which he] continually enables us once again to apprehend an elusory reality." His works, some of which can be seen as allegories, commonly present subversive perspectives on historic events, emphasizing the theopoetic human factor. [source](https://en.wikipedia.org/wiki/Jos%C3%A9_Saramago)
